NER Congratulates 2015 Guggenheim Fellows

Categories: News & Notes

We are pleased to announce that NER contributors Cate Marvin and Maud Casey are among the 175 2015 Guggenheim Fellowship recipients chosen from an applicant pool of almost 3,000 individuals.

Cate Marvin has received numerous honors for her poetry, including the Whiting Award and a Kathryn A. Morton Prize. She has published three books of poetry and currently teaches creative writing at Columbia University’s MFA Program, the College of Staten Island, City University of New York, and in the low-residency MFA program at Lesley University. She has contributed to six issues of NER (19.2, 20.2, 21.1, 22.2, 34.3-4, 36.1).

Maud Casey is the author of three novels, including most recently The Man Who Walked Away, and a collection of stories, Drastic. Her essays and criticism have appeared in A Public SpaceLiterary Imagination, the New York Times Book ReviewOxford American, and Salon. She is the recipient of the Calvino Prize and a DC Commission on the Arts and Humanities Artist Fellowship, and has received numerous international residency fellowships for her work in fiction. She is a Professor of English at Maryland University. Her work appears in NER 36.1 as well as an essay on the photography and mystery of Vivian Maier in NER Digital.

Congratulations to Maud, Cate, and all of the 2015 Guggenheim recipients!

Mid-Week Break | Maud Casey Reads at Bread Loaf 2014

Categories: Audio

Maud Casey reads her fiction at the 2014 Bread Loaf Writers’ Conference:

An excerpt from her new novel, The Man Who Walked Away: 

Maud CaseMaud Caseyy is the author of The Man Who Walked Away, just released in paperback by Bloomsbury Publishing. She has also penned two previous novels: The Shape of Things to Come, a New York Times Notable Book, and Genealogy; as well as a collection of stories, Drastic. She is the recipient of the Calvino Prize and has received fellowships from the Fundación Valparaiso, Hawthornden International Writers Retreat, Château de Lavigny, Dora Maar, and the Passa Porta residency at Villa Hellebosch. Casey teaches at the University of Maryland and lives in Washington, D.C.

All Bread Loaf Writers’ Conference readings are available for free on iTunesU. Want to hear more? Visit the Bread Loaf Writers’ Conference Website.

NER Classics | The Marburg Sisters | Andrea Barrett

Categories: NER Classics


grapevineThe girls’ mother told them stories: how their grandfather Leo had grafted French vines onto North American roots with his German-Russian hands, finding the western New York winters easy to manage after Ukraine. At the head of the lake the Couperins, who ran a rival winery, had laughed at Leo’s cultivation practices, but in 1957, when Bianca was born, Leo had his revenge. That winter’s violent cold spell left the Marburgs’ earth-shrouded vines untouched when everyone else’s were killed, and Walter Couperin lost all his hybrid vines and switched back to Concords in a fury. 

Leo smiled and kept his secrets and established acres of gewurztraminer, which Couperin couldn’t grow, and rkaziteli, a Russian grape temperamental for everyone but him. The girls grew up hearing words like these: foxy, oaky, tannic, thin. Like all children, they knew more than they knew that they knew. 

In the fall the cold air slipping down from the hills hung white and even below the trellises. Leo’s winery thrived, and his oldest son—Theo, the girls’ father—threw himself into the business with a great and happy passion. Peter Couperin, Walter’s heir, field-grafted Seyvals onto half his Concord stock, and still Theo outdid him. 

[Read more]

 Andrea Barrett‘s story, “the Marburg Sisters,” appeared in NER 16.4 (1994).

New Fiction from Mario J. Gonzales | NER 36.1

Categories: Fiction

Malditos | Mario J. Gonzales

[view as PDF] Cabezon’s mom OD’d there, me and my cousins Tug and Tweety would go to the hill and hang with Manny, an older guy from the Projects. Long time ago, the hill was where the mojados lived in small houses built by farmers to keep their illegals near work. Now the place is torn up, the rooms tagged, walls falling down. Piss-stained mattresses and bent cooking spoons litter the place. I mean, bums and junkies have hustled their way through, no doubt. In fact, some tweakers had a lab here and it blew up in their faces. You could see the smoke for miles. One dude, Palo, burned himself good and wore a mask like that Phantom of the Opera guy for a while.

But that’s not why they say the hill is haunted or cursed. It’s really cause some farmer, Gandangi or Gandansky, shot himself here, when all the wets were getting off work. Tug and Tweety’s stepmom, who was the farmer’s maid, said she heard he had went gay for a mojado. Who knows? Maybe the Mexican laughed or fucked him up when the farmer tried to put the moves on. But for sure he died bloody on the hill.

Haunted or not, the hill was the place to kick it. It was where I’d smoke a bowl and watch the sun burn down without no one bugging. Things got crazy, though. It started with this game Manny made up: seeing who could hold a lit M-16 firecracker the longest. Tweety always won, until one day Manny offered Cabezon twenty bucks to hold the cuete until it exploded. Cabezon did and ended up shredding his middle finger.

[read more]

Mario J. Gonzales currently lives and works in Santa Fe. He was raised in Parlier, California, a farm-worker community outside of Fresno. His short fiction has appeared in Drunken Boat, Cossack Review, Rio Grande Review, and other literary publications. He has finished a collection of short stories entitled The Importance of Being Elsewhere, which he hopes to be published soon.

New Poetry from Ocean Vuong | NER 36.1

Categories: Poetry

To My Father / To My Unborn Son | Ocean Vuong

“The stars are not hereditary.”—Emily Dickinson

There was a door & then a door
surrounded by a forest.
Look, my eyes are not
your eyes.
You move through me like rain heard
from another country.
Yes, you have a country.
Someday, they will find it
while searching for lost ships . . .
Once, I fell in love
during a slow-motion car crash.
We looked so peaceful, the cigarette floating from his lips
as our heads whip-lashed back
into the dream & all
was forgiven.

[Read More]


Ocean Vuong is the author of Night Sky with Exit Wounds (Copper Canyon Press, 2016). A 2014 Ruth Lilly fellow, he has received honors from Kundiman, Poets House, the Civitella Ranieri Foundation, the Elizabeth George Foundation, and the Academy of American Poets, as well as a 2014 Pushcart Prize. His poems appear in the New Yorker, Poetry, the Nation, Boston Review, Best New Poets 2014, and American Poetry Review, which awarded him the 2012 Stanley Kunitz Prize for Younger Poets. He lives in Queens, New York.

New Nonfiction from Jill Sisson Quinn | NER 36.1

Categories: Nonfiction


Big Night | Jill Sisson Quinn

[view as PDF] US contains more species of salamander than any other country, but in an entire lifetime you may never encounter one. Salamanders—secretive, fossorial, nocturnal—exit underground harbors only in darkness. Even those that gather in great masses to breed do so without a sound, moving monk-like through the yammering of wood frogs and spring peepers to ephemeral ponds.

In the country’s eastern half, many folks would be surprised to find they share their neighborhoods with Ambystoma maculatum, the spotted salamander, a creature that looks like it belongs in the Amazon. Two uneven rows of big, bright yellow dots extend from head to tail on its dark, glossy body, a body I have always thought looks purple, though most field guides describe it as steel gray or black. Spotteds are stout and medium-sized; at four to seven inches long, they look like they’d make a good meal for something. But they’re not easy to find. Scientists tracking them with radio telemetry, through tiny transmitters surgically implanted into the salamanders’ midsections, discovered one spotted salamander living four feet underground. To find one of these brightly colored animals beneath a rock or within a log feels like hitting the jackpot.

My interest in salamanders renewed with surprising force the same spring my husband and I began the process of adopting a child. I had recently moved away from an area of high salamander density (from New Jersey, which has sixteen species, to Wisconsin, which has only seven) and ceased teaching environmental education; instead I was teaching English and spending my workdays indoors. Nevertheless, I aimed to be present for the annual nocturnal mass breeding of the spotted. There was a chance I would see them and a chance I wouldn’t, these creatures that seemed scarce but were relatively numerous, that lived singly all year long but on a single evening gathered in multitudes. It was just this odd combination of uncertainty and possibility that I would need to embrace in my journey to becoming a parent.

[read more]

Jill Sisson Quinn’s essays have appeared in Orion, Ecotone, OnEarth, and many other magazines. She has received the Annie Dillard Award in Creative Nonfiction, a John Burroughs Essay Award, and a Rona Jaffe Writers’ Award. Her work has been reprinted in Best American Science & Nature Writing 2011. Her first book, Deranged, was published by Apprentice House of Loyola University Maryland in 2010. A regular commentator for Wisconsin Public Radio’s Wisconsin Life series, she lives and writes in Scandinavia, Wisconsin.

New Poetry from Emilia Phillips | NER 36.1

Categories: Poetry

Supine Body in Full-Length Mirror, Hotel Room, Upper West Side | Emilia Phillips

“All is seen.”—Dante’s Virgil, Inferno, Canto XXXIV

[view as PDF]








What startles first is that it’s there.
After long hours in the car
when thought seemed
seamless with forward
motion, & the body,
a home you left that morning—
& now it’s naked & unyielding,
a narrative,
if you’ll have it
that the scars know more
about your past
than you choose to remember—

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Emilia Phillips is the author of two collections of poetry, Signaletics (2013) and Groundspeed (forthcoming), both from the University of Akron Press, and three chapbooks. Her poetry appears in Agni, Gulf Coast, Harvard Review, Kenyon Review, Poetry, and elsewhere. She’s the recipient of fellowships to the Bread Loaf Writers’ Conference, US Poets in Mexico, and Vermont Studio Center; the 2012 Poetry Prize from the Journal; and the 2013–2014 Emerging Writer Lectureship from Gettysburg College. She serves as a staff member of the Sewanee Writers’ Conference and as a prose editor of 32 Poems. She lives in Richmond, Virginia.

New Translation of Luis S. Krausz | NER 36.1

Categories: Translations

The Clocks | Luis S. Krausz

translated from the Portuguese by Ana Fletcher
[view as PDF]

from Memories in Ruins was no other neighborhood in São Paulo more propitious to cultivating Austro-Hungarian obsessions than Sumaré—obsessions that, frustrated over there, had found fertile soil over here, and could develop freely. Drüben—on the other side—there had been a correct order for everything: a framework that shaped our souls and allowed us to put everything in its assigned place, according to a hierarchy sanctified over time, and which we held in the same regard as the ten Sephirot of the Kabbalistic tree. It was an order we clung to as we might the very tree of life, and that showed us the true value of all things. Thanks to this order we—unlike the nameless poor of undefined race—were not colonized, nor were we akin to those displaced Jews who turned up like beggars on the doorsteps of unknown lands. We wanted to believe this would make us Europeans: Europeans in places of exile, like Sumaré, where we dreamt of founding our colony of expats—a colony that would be a real Gartensiedlung: a neighborhood of gardens cultivated skillfully and efficiently; of impeccably organized libraries; of intact inheritances from grandparents and great grandparents; a neighborhood of stamp collectors and alchemists; of orchid lovers and men of letters; where the cool breezes and shady gardens would bring respite from all cares and relief from all pain—a world that was like a book itself, where we imagined we would not be swallowed by time and by history, by the hurricane that blows from Paradise, but where we would be safe: a vegetable patch and an orchard that neither the heat nor the despair that oppressed the city’s streets could penetrate; our city of peace, the port of our happiness. There would be permanence and durability here, and we longed for the seasons to come, each in its turn: the heat of the dry season and the rain of the rainy season and the cold of the cold season.

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Luis S. Krausz, born in São Paulo, holds a PhD from the Universidade de São Paulo where he teaches Jewish Literature. He is the recipient of several literary prizes in Brazil, including the Jabuti Prize and the Benvirá Prize. 

Ana Fletcher is an editor and translator based in Rio de Janeiro. She holds an MA in Comparative Literature from University College London. Her translations from Portuguese and Spanish have been published in Granta, Music and Literature, and Wasafiri.


New Fiction from Lisa Taddeo | NER 36.1

Categories: Fiction

Forty-Two | Lisa Taddeo

[view as PDF] had to look beautiful.

Tonight there was a wedding in goddamned Brooklyn, farm-to-table animals talking about steel cut oatmeal as though they invented the steel that cut it. In New York the things you hate are the things you do.

She worked out at least two hours a day. On Mondays and Tuesdays, which are the kindest days for older single women, she worked out as many as four. At six in the morning she ran to her barre class in leg warmers and black Lululemons size four. The class was a bunch of women squatting on a powder blue rug. You know the type, until you become one.

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Lisa Taddeo is a contributor to Esquire and New York, among others. Her pieces have been anthologized in Best American Sports Writing and Best American Political Writing. She is currently at work on her debut nonfiction book for Simon & Schuster about desire and sexuality in America, and has just completed her first novel.