To publish emerging writers alongside those who are well-known is the mantra of literary magazines everywhere, but New England Review is truly dedicated to discovering significant new voices—and to giving them a place in the broader literary discussion that happens all around us and in every issue of our journal. We dedicate a substantial portion of our time and effort to reading and evaluating unsolicited submissions in search of that next debut writer; at the same time our editors continue to engage with writers who are looking for a way to connect with readers as they further develop their life’s work.
Every issue of New England Review contains poetry and fiction in a variety of forms and styles—from the formally adventurous to the startlingly traditional—alongside a range of nonfiction, including personal essays, cultural revaluations, travelogues, and more. Plays and works in translation are also a regular part of our mix, and once a year we highlight writing from another part of the world in a portfolio of international writing. While each piece in the magazine can be read and appreciated on its own, the issue as a whole is assembled into a thoughtful order, with an eye to flow and thematic coherence or dissonance, creating a sum greater than its parts. Overall the New England Review gives readers a vital snapshot of the literary moment, four times a year, in its richness, complexity, and diversity.
NER is on the lookout at all times for writing that rewards the reader for spending time with it. We believe that writing is an art form that is under constant revision, renovation, and innovation. As editors we challenge ourselves to read beyond our own taste and experience—beyond what we like and know—and in turn offer that same opportunity to our readers.
In addition to the journal, which is available in print and ebook, we maintain an active presence online. Our website features news and notes, interviews with our authors, and “NER Digital,” a series of original writing for the web.
Of course, the best way to get to know NER is to subscribe! NER is published by Middlebury College, and as a nonprofit organization we rely on subscriptions and charitable donations to support our mission.
NER was founded by poets Sydney Lea and Jay Parini in New Hampshire in 1978. In the fall of 1982 the magazine established an affiliation with the Bread Loaf Writers’ Conference and adopted the name NER/BLQ (New England Review/Bread Loaf Quarterly). In 1987, the magazine came under full sponsorship of Middlebury College, and in 1990 returned to its original name, New England Review.
The list of writers whose work has been published in NER is long and distinguished. Many highly regarded authors—among them Natasha Trethewey, Kathryn Davis, Mark Doty, Louise Erdrich, and Jorie Graham—were published in NER before they achieved international recognition. In more recent years, NER has published writers who’ve quickly gone on to receive wider recognition, including Ocean Vuong, Alison C. Rollins, Lisa Taddeo, Thi Bui, and Ethan Chatagnier. Works published in the magazine are chosen every year for prestigious awards, including the Pushcart Prize, O. Henry Prize, and inclusion in the Best American anthologies.
In addition to founding editors Jay Parini and Sydney Lea and current editor-at-large Stephen Donadio (editor 1995 through 2013), former editors and editorial staff include David Bain, Jessica Dineen, Maura High, David Huddle, T. R. Hummer, Devon Jersild, William Lychack, Jim Schley, Jodee Stanley, and C. Dale Young. Toni Best served as office manager for twenty-three years; Lexa de Courval was office manager for seven years. For current staff, see the masthead.