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Vol. 36, No. 4 (2015)

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EDITOR’S NOTE

NER- front cover-36-4
NER 36.4

POETRY
LAUREN CAMP  Winter of Tumult and Artifact
TOD MARSHALL  Cranes
EDGAR KUNZ  In the Supply Closet at Illing Middle
HAI-DANG PHAN  Are Those F-16s?
BRENDA SHAUGHNESSY  A Mix Tape: The Hit Singularities
DIANE SEUSS  Memento Mori
OWEN McLEOD  Uroboros
GIOVANNI PASCOLI  The Bagpipes
  (trans. Taije Silverman and
  Marina Della Putta Johnston)
SASHA PIMENTEL  Orison
J. CAMP BROWN  Catachresis / Mandolin in White Wood, Signing the Tag
LISA LEWIS  Dry Hollows


FICTION

PENELOPE CRAY  The Red Painter / Mountain / Real and True
EMMA DUFFY-COMPARONE  The Devil’s Triangle
DAVID EBENBACH  Eleven Girls
VINCENT POTURICA  Dad’s House
MATEAL LOVAAS ISHIHARA  Crossing Harvard Yard
RAV GREWAL-KÖK  The Bolivian Navy
ANTONIO TABUCCHI  Writer, It Must Be Late
  (trans. Elizabeth Harris)

NONFICTION
Reflections
PHILIP F. GURA  To The Curator of Birds
KATE LEBO  The Unsealed Ear

Reports from Abroad
EMILY GEMINDER  Phnom Penh 2012 [AUDIO]

LAURENCE DE LOOZE  An Atheist in Rome

Literary Criticism
LISA MULLENNEAUX  Hilda Morley: Lost on Black Mountain

Investigations
MICHAEL FALLON  The Other Side of Silence

Rediscoveries
JOHN ADDINGTON SYMONDS  Two Italian Portraits

CONTRIBUTORS’ NOTES

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Vol. 43, No. 2

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NER Digital

Rosalie Moffett

Writer’s Notebook—Hysterosalpingography

Rosalie Moffett

Many of the poems I’ve been writing lately are trying to figure out how to think about the future, how to reasonably hope, and what we must be resigned to. How can you imagine the future when the present is so slippery, so ready to dissolve?

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