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Vol. 37, No. 3 (2016)

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EDITOR’S NOTE ner-37-3-front-cover-final

POETRY
RICARDO PAU-LLOSA  Allegory of Art
LINDA BIERDS  The Hardy Tree
STANLEY PLUMLY  Lost Then Found Photograph of My Parents
JULIE MARIE WADE  Portrait of the Sister as Phantom Limb/ Portrait of Grief as Rocking Chair
HENRY KEARNEY, IV  Shotgun Elegy [audio]
JAMES ALLEN HALL  Irregular Plurals/ Elegy with Pyre, Match, and Father
JANE MEAD  Selections from World of Made and Unmade
DAVID MURA  A Late Elegy for Jimmy

CROSSING THROUGH THE PRESENT: GERMAN POETRY IN TRANSLATION
SARAH KIRSCH (trans. Anne Stokes)  Winter
ANDREAS ALTMANN (trans. Birgit Bunzel Linder)  angel story
DURS GRÜNBEIN (trans. Karen Leeder)  Artichokes/ One of Many Moments
DANIELA DANZ (trans. Harry Roddy)  Bee-Folk or the Good State/ And in the Beginning There Are Pictures
JAN WAGNER (trans. Iain Galbraith)  Nicosia/ Hamburg-Berlin
ESTHER KINSKY (trans. Iain Galbraith)  [Disturbed lands] PETER WATERHOUSE (trans. Iain Galbraith)  Return of Ecstasy/ Doubts about Trams/ Zakid’s Delicatessen, Bremen
LUTZ SEILER (trans. Alexander Booth)  homeward
ULJANA WOLF (trans. Sophie Seita)  on classification in language, a feeble reader
CHRISTINE LAVANT (trans. David Chorlton)  [Through one of the many yellow]/ [Old sleep] ULRIKE ALMUT SANDIG (trans. Karen Leeder)  [lullaby for all] GÜNTER KUNERT (trans. Gerald Chapple)  Historical Consciousness / Legacies

FICTION
CHELIKA YAPA  Follow-Up
RON CARLSON  Crooners
TAMAS DOBOZY  Steyr Mannlicher
LEAH MCCORMACK  Blameless

NONFICTION
Observations
LIA PURPURA  All the Fierce Tethers

Literary Lives
MARIE LUISE KNOTT (trans. Margitt Lehbert)  Intentionally Left Blank

Testimonies
DURS GRÜNBEIN (trans. Karen Leeder)  Russians at the Gates
PETER CHILSON  Welcome to Mali

Letters from Abroad
JOSEPH PEARSON  Three German Cities

Performance Pieces 
MARIUS VON MAYENBURG (trans. Maja Zade)  Moving Target

Rediscoveries 
WALTER BAGEHOT  On the Metaphysical Basis of Toleration

CONTRIBUTORS’ NOTES

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Cover art by Ralph Lazar

Volume 41, Number 4

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Writer’s Notebook

Writer’s Notebook—Field Dress Portal

Sarah Audsley

Writer’s Notebook—Field Dress Portal

Writing this poem was not a commentary on a rivalry between the sister arts—poetry and painting—but more an experiment in the ekphrastic poetic mode.

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