New England Review

NER Author Books

“With incisive pluck, Rosenwaike’s stories turn an empathetic and humorous eye on the time in women’s lives when the question of motherhood—whether gained or lost or desired at all—is central. Rosenwaike fearlessly plumbs the depths of women’s interior lives, giving due space to their complexity, gravity, and lightness.” –Danielle Lazarin, author of Back Talk

From the publisher: A candid, ultimately buoyant debut story collection about the realities of the “baby years,” whether you’re having one or not. The women in Polly Rosenwaike’s Look How Happy I’m Making You want to be mothers, or aren’t sure they want to be mothers, or–having recently given birth–are overwhelmed by what they’ve wrought. Sharp and unsettling, wry and moving in its portrayal of love, friendship, and family, this collection expands the conversation about some of women’s most intimate experiences. Together, these twelve empathetic stories reveal pregnancy and new motherhood in all its anxiety and absurdity, darkness and wonder.

Polly Rosenwaike has published stories, essays, and reviews in The O. Henry Prize Stories 2013, The New York Times Book Review, Glimmer Train, The Millions, and the San Francisco Chronicle. She is the fiction editor of the Michigan Quarterly Review and lives in Ann Arbor with her family. Her short story “Tanglewood” appeared in NER 35.1 (2014)

Look How Happy I’m Making You can be purchased online or at your local independent bookseller.

“This powerful collection reads like an elegy and a confession, like a slap to the face followed by a plaintive kiss, like watching bad things happen and knowing that you’re complicit. Yet cutting through every one of these essential poems is a gritty, naturalistic beauty that makes me want to read them again and again. Tap Out is a gem, and Edgar Kunz is a major talent.” —Andre Dubus III, author of Gone So Long and Townie 

From the publisher: Approach these poems as short stories, plainspoken lyric essays, controlled arcs of a bildungsroman, and then again as narrative verse. Tap Out, Edgar Kunz’s debut collection, reckons with his working class heritage. Within are poignant, troubling portraits of blue-collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words–violent, or simply absent.

Edgar Kunz was born and raised in New England. His work has been supported by the National Endowment for the Arts, the Academy of American Poets, the MacDowell Colony, Vanderbilt University, and Stanford University, where he was a Wallace Stegner Fellow. He lives in Baltimore, Maryland, where he teaches at Goucher College and in the MFA program at Salve Regina University. His poem “In the Supply Closet at Illing Middle” appeared in NER 36.4 (2015).

Tap Out can be purchased online or at your local independent bookseller.

“Reading this collection of essays is like taking a walk through your neighborhood with a wizard or a medieval saint: Lia Purpura can conjure visions from seed pods, a plastic bag, a city sidewalk, transforming what is right in front of you into what is really there, uncommon, untamed.  Under her gaze, the most ordinary things become not just extraordinary, but almost frighteningly radiant.” –Suzanne Berne, author of The Dogs of Littlefield

From the publisher: A trailblazer of the contemporary essay, Purpura meditates on existential subjects as diverse as eagles, irony, shadows, racially-divided neighborhoods, and the idea of beauty.

Lia Purpura is the author of eight collections of essays, poems, and translations. On Looking (essays, Sarabande Books) was a finalist for the National Book Critics Circle Award. Her awards include Guggenheim, NEA, and Fulbright Fellowships, as well as four Pushcart Prizes, the Associated Writing Programs Award in Creative Nonfiction, and others. Her work appears in The New Yorker, The New Republic, Orion, The Paris Review, The Georgia Review, Agni, and elsewhere. The title essay of All the Fierce Tethers appeared in NER 37.3 (2016). She lives in Baltimore, MD.

All the Fierce Tethers can be purchased online or at your local independent bookseller.

“With nothing less than the human condition on its mind, The Silk Road works in archetype and allegory to produce a slim (not even 150 pages!) but resounding book unlike any you’ve ever read”—Entertainment Weekly

From the publisher: The Silk Road begins on a mat in yoga class, deep within a labyrinth on a settlement somewhere in the icy north, under the canny guidance of Jee Moon. When someone fails to arise from corpse pose, the Astronomer, the Archivist, the Botanist, the Keeper, the Topologist, the Geographer, the Iceman, and the Cook remember the paths that brought them there—paths on which they still seem to be traveling. The Silk Road also begins in rivalrous skirmishing for favor, in the protected Eden of childhood, and it ends in the harrowing democracy of mortality, in sickness and loss and death. Kathryn Davis’s sleight of hand brings the past, present, and future forward into brilliant coexistence; in an endlessly shifting landscape, her characters make their way through ruptures, grief, and apocalypse, from existence to nonexistence, from embodiment to pure spirit.

Kathryn Davis is the author of seven novels, most recently Duplex. She is the senior fiction writer on the faculty of the writing program at Washington University. Her stories “Floggins” and “Eternity” appeared in NER in 1989 (11.3) and 1982 (5.1), respectively.

The Silk Road can be purchased online or at your local independent bookstore.

“Tony Hoagland offers us in his poetry one of the most distinctive voices of our time. Now, in this last work of criticism he completed, he gives us a book focused directly on how a poetic voice is created, how the poet establishes a vivid personality who seems to be standing behind every line, and how in the course of the poem the poet manages to close the distance between speaker and reader to create an intimate bond. Everyone who cares about poetry will profit from this practical and luminous book.” — Carl Dennis, author of Pulitzer Prize-winning poetry collection, Practical Gods 

From the publisher: An award-winning poet, teacher, and “champion of poetry” (New York Times) demystifies the elusive element of voice.In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning—but above all, alive.

Tony Hoagland (1953—2018) was the award-winning author of seven poetry collections, including the National Book Critics Circle Finalist What Narcissism Means to Me and Priest Turned Therapist Treats Fear of God, and two essay collections. He taught at the University of Houston and conducted a community workshop in Santa Fe, New Mexico, where he lived. He partnered with Martin Shaw in the translation of four Celtic poems which appeared in NER 39.3 (2018). This work was a sample from the forthcoming book of translations from Celtic poetry, Rough Gods, which will be published by Graywolf in 2020.

The Art of Voice can be purchased online or at your local independent bookstore.

New Books from NER Authors: June 2018

From Mark Twain to George Saunders, Bradley Bazzle’s Trash Mountain joins a long tradition of dark humor, wild inventiveness, and social satire in American letters. ―Maceo Montoya, author of The Deportation of Wopper Barraza.

From the publisher: Trash Mountain reflects on life in small southern cities in decline and an adolescent’s search for fundamental values without responsible adults to lead the way.

Bradley Bazzle’s first novel, Trash Mountain, won the 2016 Red Hen Press Fiction Award. His short story “Gift Horse” appeared in NER 31.4. Bradley grew up in Dallas, Texas, and lives in Athens, Georgia, with his wife and daughter.

Trash Mountain can be purchased from your independent booksellers and online.

In a time when we confront daily the frenetic, desensitizing maelstrom of political rhetoric and a ubiquitous flood of mass media, Bruce Bond reminds us in Dear Reader of the quiet but urgent philosophical and spiritual inquiries, sometimes monstrous and animal, that define and affirm our humanity. —Kathleen Graber, author of The Eternal City and Correspondence 

From the publisher: In his single-poem sequence, Dear Reader, Bruce Bond explores the metaphysics of reading as central to the way we negotiate a world—the evasions of our gods and monsters; our Los Angeles in flames; the daily chatter of our small, sweet, and philosophical beasts.

Bruce Bond is the author of sixteen books including For the Lost Cathedral, The Other Sky, and Black Anthem, which won a Tampa Review Prize  in 2016. Presently he is Regents Professor at University of North Texas. His poem “Blood” was published in NER 36.2.

Dear Reader can be purchased directly from the publisher.

Like the birds that populate so many of his poems, Marcelo Hernandez Castillo’s Dulce is a lesson in song, an instructive repetition of the melodies that shape the inner self. The poems here are for a reader willing to mix and remix, to reimagine themselves in a thousand pieces. —Matthew Shenoda, author of Somewhere Else  

From the publisher: Dulce is truly a lyrical force rife with the rich language of longing and regret that disturbs even the most serene quiet. Surreal and deeply imagistic, the poems map a parallel between the landscape of the border and the landscape of sexuality. Castillo invites the reader to confront and challenge the distinctions of borders and categories, and in doing so, he obscures and negates such divisions.

Marcelo Hernandez Castillo is a Canto Mundo fellow and the first undocumented student to graduate from the University of Michigan’s MFA program. He cofounded the Undocupoets campaign which successfully eliminated citizenship requirements from all major first poetry book prizes in the country and was recognized with the Barnes and Noble “Writers for Writers” award from Poets and Writers magazine. His poems “Pulling the Moon” and “Rituals of Healing” appeared in NER 35.2.

Dulce: Poems can be purchased from the publisher.

Hoagland’s verse is consistently, and crucially, bloodied by a sense of menace and by straight talk. ―The New York Times

From the publisher: Tony Hoagland’s poems interrogate human nature and contemporary culture with an intimate and wild urgency, located somewhere between outrage, stand-up comedy, and grief. His new poems are no less observant of the human and the worldly, no less skeptical, and no less amusing, but they have drifted toward the greater depths of open emotion. Over six collections, Hoagland’s poetry has gotten bigger, more tender, and more encompassing. The poems in Priest Turned Therapist Treats Fear of God turn his clear-eyed vision toward the hidden spaces―and spaciousness―in the human predicament.

Tony Hoagland is the author of five previous poetry collections, including Application for Release from the Dream and What Narcissism Means to Me, a finalist for the National Book Critics Circle Award. He lives in Santa Fe, New Mexico. Two of his poems appeared recently in NER 38.3.

Priest Turned Therapist Treats Fear of God can be purchased online.

Norman Lock’s fiction, The Wreckage of Eden, shimmers with glorious language, fluid rhythms, and complex insights. ―NPR

From the Publisher: Powerfully evocative of Emily Dickinson’s life, times, and artistry, this fifth, stand-alone volume in The American Novels series captures a nation riven by conflicts that continue to this day. Lyrically written but unafraid of the ugliness of the time, Lock’s thought-provoking series continues to impress.

Norman Lock is an author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. He has honored with The Dactyl Foundation Literary Fiction Award, the Paris Review Aga Khan Prize for Fiction, and writing fellowships from the New Jersey State Council on the Arts, the Pennsylvania Council on the Arts, and the National Endowment for the Arts. He lives in Aberdeen, New Jersey. His fiction has appeared frequently in NER, most recently with “A Theory of the Self” in NER 34.2.

The Ensemble can be purchased directly from the publisher,  or from independent booksellers.

Well imagined, intricately plotted, and deeply felt, both humane and human. It unfurls like a peony: you keep thinking it can’t get any more perfect, and it does. A stunning feat. —Rabih Alameddine, author of The Angel of History and Koolaids: The Art of War

From the publisher: A dazzling new novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris, by the acclaimed and award-winning author Rebecca Makkai.

Rebecca Makkai is the author of The Borrower, The Hundred-Year House, which won the Novel of the Year Award from the Chicago Writers Association, and Music for Wartime. Her work has appeared in Best American Short Stories, Harper’s, and Tin House, among others. Her story “The Briefcase” was featured in New England Review 29.2.

The Great Believers can be purchased directly from the publisher.

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