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Ocean Vuong

To My Father / To My Unborn Son

The stars are not hereditary. —Emily Dickinson

There was a door & then a door
surrounded by a forest.
Look, my eyes are not
your eyes.
You move through me like rain heard
from another country.
Yes, you have a country.
Someday, they will find it
while searching for lost ships . . .
Once, I fell in love
during a slow-motion car crash.
We looked so peaceful, the cigarette floating from his lips
as our heads whip-lashed back
into the dream & all
was forgiven.
Because what you heard, or will hear, is true: I wrote
a better world onto the page
& watched the fire take it back.
Something was always burning.
Do you understand? I closed my mouth
but could still taste the ash
because my eyes were open.
From men, I learned to praise the thickness of walls.
From women,
I learned to praise.
If you are given my body, put it down.
If you are given anything
be sure to leave no tracks in the snow.
Know that I never chose
which way the seasons turned. That it was always October
in my throat.
& you: every leaf
refusing to rust.
Quick. Can you see the red dark shifting?
This means I am touching you. This means
you are not alone—even
as you are not.
If you get there before me, if you think
of nothing
& my face appears rippling
like a torn flag—turn back.
Turn back & find the book
I left us, filled
with all the colors of the sky
forgotten by gravediggers.
Use it. Use it to prove how the stars
were always what we believed
they were: the exit-wounds
of every
misfired word.

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Vol. 42, No. 1

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Writer’s Notebook

Writer’s Notebook—Field Dress Portal

Sarah Audsley

Writer’s Notebook—Field Dress Portal

Writing this poem was not a commentary on a rivalry between the sister arts—poetry and painting—but more an experiment in the ekphrastic poetic mode.

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