Several poets who have published their work in NER in recent years have won Literature Fellowships in Poetry from the National Endowment of the Arts this year, each receiving an award of $25,000: Traci Brimhall (32.1), Eduardo C. Corral (30.4), Rachel Richardson (29.1), and Jake Adam York (forthcoming, 33.3). Kerrin McCadden, who read in our Vermont Reading Series this past April, also won a fellowship this year. Congratulations!
“Manguso’s writing manages, in carefully honed bursts of pointed, poetic observation, to transcend the darkness and turn it into something beautiful.”—Heller McAlpin, Barnes and Noble
Winner of the 2011 Barnard Women Poets Prize, Our Lady of the Ruins tracks a group of women through their pilgrimage in a mid-apocalyptic world. Exploring war, plagues, and the search for a new God in exile, these poems create a chorus of wanderers haunted by empire, God, and personal trauma.
“…part Dylan Thomas, part saint’s legend and part Tolkien.” —Publishers Weekly Review
“Lucia Perillo isn’t just a strikingly original poet; she’s a top-notch fiction writer as well. The stories in this bleakly funny and harrowing collection are reminiscent of both Raymond Carver and Denis Johnson, but the vision than animates them is Perillo’s own, unique and unmistakable.” —Tom Perrotta
“Perillo’s poetic persona is funny, tough, bold, smart, and righteous. A spellbinding storyteller and a poet who makes the demands of the form seem as natural as a handshake, she pulls readers into the beat and whirl of her slyly devastating descriptions.”—Booklist
“Nowhere else in American poetry do I come across a passion, a cunning, and a joy greater than his. And a deadly accuracy. I see him as one of the supreme poets of his generation.”–Gerald Stern
“(Holdefer’s) funny novel describes a maturing pro athlete’s often bumpy transition from youthful dreams to mainstream American life.” —Publisher’s Weekly
“Paisley Rekdal’s quiet virtuosity with rhyme and cadence, her syntactic fidelity to thought and sensation, her analytical intelligence that keeps homing in and in, her ambitious sentences and larger formal structures that try to embody with absolute accuracy the difference between what we ought to feel and what we really do feel—all these make her unique in her generation . . .”—Tom Sleigh
From his early spare poems written in Spain to the recent ruminative work exploring language, tradition (often Jewish and diasporic) and the self, this book collects four decades of Michael Heller’s “tone perfect poems” as George Oppen described them. Enriched with the detailed landscapes of the phenomenal world and mind, This Constellation Is a Name confirms Michael Heller’s place at the forefront of contemporary American poetry.