New England Review

  • Subscribe/Order
  • Back Issues
    • Vol. 43, No. 3 (2022)
    • Vol. 43, No. 2 (2022)
    • Vol. 43, No. 1 (2022)
    • Vol. 42, No. 4 (2021)
    • Vol. 42, No. 3 (2021)
    • Vol. 42, No. 2 (2021)
    • Vol. 42, No. 1 (2021)
    • Vol. 41 (2020)
      • Vol. 41, No. 4 (2020)
      • Vol. 41, No. 3 (2020)
      • Vol. 41, No. 2 (2020)
      • Black Lives Matter
      • Vol. 41, No.1 (2020)
    • Vol. 40 (2019)
      • Vol. 40, No. 4 (2019)
      • Vol. 40, No. 3 (2019)
      • Vol. 40, No. 2 (2019)
      • Vol. 40, No 1 (2019)
    • Vol. 39 (2018)
      • Vol. 39, No. 4 (2018)
      • Vol. 39, No. 3 (2018)
      • Vol. 39, No. 2 (2018)
      • Vol. 39, No. 1 (2018)
    • Vol. 38 (2017)
      • Vol. 38, No. 4 (2017)
      • Vol. 38, No. 3 (2017)
      • Vol.38, No. 2 (2017)
      • Vol. 38, No. 1 (2017)
    • Vol. 37 (2016)
      • Vol. 37, No. 4 (2016)
      • Vol. 37, No. 3 (2016)
      • Vol. 37, No. 2 (2016)
      • Vol. 37, No. 1 (2016)
    • Vol. 36 (2015)
      • Vol. 36, No. 4 (2015)
      • Vol. 36, No. 3 (2015)
      • Vol. 36, No. 2 (2015)
      • Vol. 36, No. 1 (2015)
    • Vol. 35 (2014-2015)
      • Vol. 35, No.1 (2014)
      • Vol. 35, No. 2 (2014)
      • Vol. 35, No. 3 (2014)
      • Vol. 35, No. 4 (2015)
    • Vol. 34 (2013-2014)
      • Vol. 34, No. 1 (2013)
      • Vol. 34, No. 2 (2013)
      • Vol. 34, Nos. 3-4 (2014)
    • Vol. 33 (2012-2013)
      • Vol. 33, No. 1 (2012)
      • Vol. 33, No. 2 (2012)
      • Vol. 33, No. 3 (2012)
      • Vol. 33, No. 4 (2013)
    • Vol. 32 (2011-2012)
      • Vol. 32, No. 1 (2011)
      • Vol. 32, No. 2 (2011)
      • Vol. 32, No. 3 (2011)
      • Vol. 32, No. 4 (2012)
    • Vol. 31 (2010)
      • Vol. 31, No. 1 (2010)
      • Vol. 31, No. 2 (2010)
      • Vol. 31, No. 3 (2010)
      • Vol. 31, No. 4 (2010-2011)
    • Vol. 30 (2009)
      • Vol. 30, No. 1 (2009)
      • Vol. 30, No. 2 (2009)
      • Vol. 30, No. 3 (2009)
      • Vol. 30, No. 4 (2009-2010)
    • Vol. 29 (2008)
      • Vol. 29, No. 1 (2008)
      • Vol. 29, No. 2 (2008)
      • Vol. 29, No. 3 (2008)
      • Vol. 29, No. 4 (2008)
    • Vol. 28 (2007)
      • Vol. 28, No. 1 (2007)
      • Vol. 28, No. 2 (2007)
      • Vol. 28, No. 3 (2007)
      • Vol. 28, No. 4 (2007)
    • Vol. 27 (2006)
      • Vol. 27, No. 1 (2006)
      • Vol. 27, No. 2 (2006)
      • Vol. 27, No. 3 (2006)
      • Vol. 27, No. 4 (2006)
    • Vol. 26 (2005)
      • Vol. 26, No. 1 (2005)
      • Vol. 26, No. 2 (2005)
      • Vol. 26, No. 3 (2005)
      • Vol. 26, No. 4 (2005)
    • Vol. 25 (2004)
      • Vol. 25, Nos. 1-2 (2004)
      • Vol. 25, No. 3 (2004)
      • Vol. 25, No. 4 (2004)
    • Vol. 24 (2003)
      • Vol. 24, No. 1 (2003)
      • Vol. 24, No. 2 (2003)
      • Vol. 24, No. 3 (2003)
      • Vol. 24, No. 4 (2004)
  • About
    • Masthead
    • NER Award Winners
    • Press
    • Award for Emerging Writers
    • Readers and Interns
    • Books by our authors
    • Contact
  • Audio
  • Events
  • Submit

NER Author Awards

July 9, 2018

Congratulations to all of our NER authors who have been recognized with awards so far this year, including Reginald Dwayne Betts, Thi Bui, Victoria Chang, Camille Dungy, Brad Felver, Rickey Laurentiis, James Longenbach, Valeria Luiselli, Molly Spencer, Brian Tierney, and Monica Youn. We are so proud of you and we continue to look forward to hearing about your next literary endeavors!


Brad Felver is the winner of the 2018 Drue Heinz Literature Prize, which is one of the most prestigious awards for a book-length collection of short stories or novellas. His manuscript, “The Dogs of Detroit,” is a collection of short stories, each of which focuses on grief and its many permutations, and will be published by the University of Pittsburgh Press this year. Felver’s essay “City of Glass” can be found in NER 39.1


Three NER authors received awards from the Poetry Society of America. The Society gives awards for single poems, collections, and manuscripts, and each award has its own criteria.

Victoria Chang was awarded the Alice Fay Di Castagnola Award for her poetry collection, titled Obit. The Alice Fay Di Castagnola Award is awarded to outstanding manuscripts-in-progress of poetry. A selection of poems from the collection can be found on the Foundation’s website here. Poems from Chang’s Obit also appeared in NER 38.3.

The Lucille Medwick Memorial Award has been given to Molly Spencer for her poem “Interior with a Woman Peeling Oranges, Snapping Beans.“ The award was created by Maury Medwick in honor of his wife Lucille, and is awarded for an original poem in any form on a humanitarian theme. Two of Spencer’s poems were published in NER 38.4.

Brian Tierney has been awarded the George Bogin Memorial Award. The Award was established by the family and friends of George Bogin for a selection of four or five poems that use language in an original way to reflect the encounter of the ordinary and the extraordinary, and to take a stand against oppression in any of its forms. Tierney’s poem “All Stars Are Lights, Not All Lights Are Stars” is online on the Foundation’s website, and his poetry appears in NER 38.1.


Four NER Authors were named as finalists for the National Book Critics Circle Award. The NBCC Award is awarded each March in six categories: fiction, general nonfiction, poetry, autobiography, biography, and criticism.

Thi Bui was a finalist in the autobiography category for her graphic novel The Best We Could Do, which explores her Vietnamese heritage and shares the stories of her parents’ lives. Bui’s illustrated memoir piece, “Blood and Rice,” appeared in NER 37.4.

Camille Dungy‘s Guidebook to Relative Strangers: Journeys into Race, Motherhood and History, made the finals list in the criticism category. Guidebook to Relative Strangers details Dungy’s experiences of traveling cross country with her young daughter, and interplay between others’ perceptions of them as mother-and-child and as black women. Dungy’s work can be found in NER 36.2.

Valeria Luiselli was also named a finalist in the criticism category. Her work Tell Me How It Ends: An Essay in Forty Questions provides stark contrast between the American dream and the reality of undocumented children living in the US. Luiselli’s work “Stuttering Cities” (translated by Christina MacSweeney) appeared in the 35.1 issue of NER.

James Longenbach was named a finalist for poetry. His collection of poems, titled Earthling, blends the meditations of a modern-day “earthling” with many different perspectives, exploring what it means to be an inhabitant of Earth and how we confront our own mortality. Longenbach’s writing has been published multiple times by NER, most recently in 32.1.


Rickey Laurentiis has been awarded the prestigious Whiting Award for poetry. The Whiting Awards, given annually to ten emerging writers in fiction, nonfiction, poetry, and drama, is based on early accomplishment and the promise of outstanding writing to come. Laurentiis’s debut book is titled Boy with Thorn: Poems, and his poem “Memory and Happiness” appeared in NER 36.2.


Two NER authors were awarded Guggenheim Fellowships for their poetry. Each year, roughly 175 Fellowships are awarded to individuals who demonstrate exceptional capabilities in productive scholarship, or exceptional creative ability in the arts.

Monica Youn is the author of three books: Blackacre, Ignatz, and Barter. Her work has also been published in numerous literary magazines, including Poetry, the New Yorker, the New Republic, Lana Turner, the Paris Review, and The Best American Poetry. Her work appeared most recently in NER 37.1.

Reginald Dwayne Betts has published three collections of poetry: Near Burn and Burden: a collection of poems, Sahid Reads His Own Hand, and Bastards of the Reagan Era. His work can be found in NER 31.4, 34.1, and 35.3.


And lastly, James Magruder‘s new musical Head Over Heels will be premiering on Broadway this month. The musical is an adaption of Sir Philip Sidney’s well known play Arcadia and features a mash-up of the song catalog of the Go-Go’s. His story story “Matthew Aiken’s Vie Bohème” appeared in NER 32.3.

Filed Under: News & Notes Tagged With: Brad Felver, Brian Tierney, Camille Dungy, James Longenbach, Molly Spencer, Monica Youn, Reginald Dwayne Betts, Rickey Laurentiis, Thi Bui, Valeria Luiselli, Victoria Chang

New Books from NER Authors

May 2, 2017

“[Allison Benis White’s] delicate and elegant furor scribendi reads like a lucid dream in which mortality—the wonder of it, as well as it attendant terrors—is made palpable. . . . This book haunts.”—Amy Newman

From Publishers Weekly (starred review): “White meditates on mental health in this spellbinding collection, a lamentation dedicated to four women she knew ‘who took their lives within a year.’ Her primary investigations concern the liminality and ever-imperfect definitions of feeling, the duality of emotions, and language’s role as a medicine and a mirror. She draws inspiration from numerous women writers—including Virginia Woolf, Sylvia Plath, and Anne Sexton—and borrows text from family members’ writings during the Holocaust.”

Allison Benis White is the author of Please Bury Me in This (Four Way Books, 2017) and Small Porcelain Head (Four Way Books, 2013), selected by Claudia Rankine for the Four Way Books Levis Prize in Poetry. Her first book, Self-Portrait with Crayon, received the Cleveland State University Poetry Center Book Prize. Allison is an Assistant Professor at the University of California, Riverside.

Please Bury Me in This can be purchased from Four Way Books and other booksellers.

℘

“In this stunningly lyrical debut, Johnson probes issues of queer culture and love from an array of existential perspectives, creating a melodic and thought-provoking symphony on queer identity. . . . [A] miniature opus, alternately joyful and heartrending, achingly bittersweet.”—Publishers Weekly, starred review

From the publisher: Sinuous and sensual, the poems of In Full Velvet interrogate the nuances of desire, love, gender, ecology, LGBTQ lineage and community, and the tension between a body’s material limits and the forms made possible by the imagination. Characterized by formal poise, vulnerability, and compassion, Johnson’s debut collection is one of resounding generosity and grace.

Jenny Johnson is a recipient of the 2015 Whiting Writers’ Award, and the 2016 Hodder Fellowship at Princeton. She lives in Pittsburgh, Pennsylvania.

In Full Velvet can be purchased from Sarabande Books and other booksellers.

℘

“Cortney Lamar Charleston’s poems testify in the eternal court of history.”—D. A. Powell

From the publisher: Cortney Lamar Charleston’s debut collection looks unflinchingly at the state of race in 21st Century America. Today, as much as ever before, the black body is the battleground on which war is being waged in our inner cities, and Charleston bears witness with fear, anger, and glimpses of hope. He watches the injustice on TV, experiences it firsthand at simple traffic stops, and even gives voice to those like Eric Garner and Sandra Bland who no longer can. Telepathologies is a shout in the darkness, a plea for sanity in an age of insanity, and an urgent call to action.

Charleston is the author of Telepathologies, selected by D. A. Powell for the 2016 Saturnalia Books Poetry Prize. He completed his undergraduate studies at the University of Pennsylvania and has earned fellowships from Cave Canem and The Conversation Literary Festival. His poems have appeared in  Beloit Poetry Journal, Hayden’s Ferry Review, the Journal, Pleiades, River Styx and more. He lives in Jersey City, New Jersey.

Telepathologies can be purchased from SPD Books and other booksellers.

℘

“Heighton is as attuned to the micro-politics of the village as to the macro-politics of Europe and the Middle East . . . His focus is sometimes hermetic, sometimes global, and he balances violent passages with lyrical descriptions of intimacy . . .  For Heighton, there is no place that’s removed from history; there are only people who dream of living in such places.” —The Walrus

From the publisher: From internationally acclaimed and Governor General’s Award-winning author Steven Heighton comes a passionate novel of buried secrets, the repercussions of war, and love among the ruins. To make his dying ex-cop father happy, Elias Trifannis joins the military. In Afghanistan, he realizes his last-minute bid for connection was a terrible mistake—but it’s too late. Elias is sent to Cyprus to recover from a tragedy but just when it seems he has found sanctuary, events he himself set in motion have already begun to endanger it.

Heighton is the author of the novel Afterlands, which has appeared in six countries; was a New York Times Book Review Editors’ Choice along with a best book of the year selection in ten publications in Canada, the US, and the UK; and is currently in pre-production for film. He is also the author of The Shadow Boxer, a Canadian bestseller and a Publishers Weekly Book of the Year. Heighton’s most recent book of poetry, The Waking Comes Late, won the 2016 Governor General’s Award for Poetry; his works have been nominated for numerous awards, including the Pushcart Prize, the Trillium Award, and Britain’s W. H. Smith Award.

The Nightingale Won’t Let You Sleep can be purchased from Penguin Random House and other booksellers.

℘

From the publisher: KGB Chief Yuri Andropov himself has tapped Senior Detective Matyushkin to solve a brazen jewel heist from Picasso’s wife at the posh Metropole Hotel. But when the case bleeds over into murder, machinations, and international intrigue, dredging up long-forgotten histories from the Civil War, not everyone is eager to see where the clues might lead. Yet Matyushkin—as relentless and gut-driven as ever—won’t be stopped, even if it means taking on his partner, the KGB, and a ghost from decades past.

In this third installment in the Matyushkin Case Files, Bayer is in top form, painting a vivid picture not just of life in 1960s Moscow, but of connected events half a century before, when the Soviet regime was being twisted and shaped by war and revolution.

Alexei Bayer is a New York-based author, translator and, by economic necessity, an economist. He writes in English and in Russian, his native tongue, and translates into both languages. His short stories have been published in New England Review, Kenyon Review, and Chtenia. Murder and the Muse is his third novel.

Murder and the Muse can be purchased from Russian Life and other booksellers.

℘

“Beautifully intricate, contentious, strikingly ardent poems by one of our great contemporary poets.” –Joyce Carol Oates

From the publisher: Over the past half century, the great shape-shifting poet C. K. Williams took upon himself the poet’s task: to record with candor and ardor “the burden of being alive.” In Falling Ill, his final volume of poems, he brings this task to its conclusion, bearing witness to a restless mind’s encounter with the brute fact of the body’s decay, the spirit’s erasure. 

C. K. Williams (1936–2015) was most recently published in NER 36.1. Falling Ill: Last Poems is Williams’s last book. Written with unsparing lyricism and relentless discursive logic, these brave poems face unflinchingly “the dreadful edge of a precipice” where a futureless future stares back. Urgent, unpunctuated, headlong, vertiginous, they race against time to trace the sinuous, startling twists and turns of consciousness. All is coming apart, taken away, except the brilliant art to describe it as the end is coming. All along is the reassurance of love’s close presence.

Williams published twenty-two books of poetry, including Flesh and Blood, which won the National Book Critics Circle Award; Repair, which won the Pulitzer Prize in Poetry; and The Singing, winner of the National Book Award.

Falling Ill can be purchased from Farrar, Straus and Giroux and other booksellers.

℘

“Thi Bui’s stark, compelling memoir is about an ordinary family, but her story delivers the painful truth that most Vietnamese of the 20th century know in an utterly personal fashion—that history is found in the marrow of one’s bones, ready to be passed on through blood, through generations, through feelings.” –Viet Thanh Nguyen, Pulitzer Prize-winning novelist

From the publisher: This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves.

At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home.

In what Pulitzer Prize–winning novelist Viet Thanh Nguyen calls “a book to break your heart and heal it,” The Best We Could Do brings to life Thi Bui’s journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past.

Thi Bui was born in Vietnam and immigrated to the United States as a child. She studied art and law and thought about becoming a civil rights lawyer, but became a public school teacher instead. Bui lives in Berkeley, California, with her son, her husband, and her mother. The Best We Could Do is her debut graphic novel.

The Best We Could Do can be purchased from Abrams Books and other booksellers.

Filed Under: NER Authors' Books Tagged With: Alexei Bayer, Allison Benis White, C. K. Williams, Cortney Lamar Charleston, Jenny Johnson, Steven Heighton, Thi Bui

"Precious Time"

Thi Bui contributes to PEN America’s “State of Emergency” series

January 30, 2017

NER contributor Thi Bui (37.4) recently contributed a graphic essay to PEN America’s “State of Emergency” series. An excerpt from her soon-to-be published graphic memoir appears in our current issue.

Filed Under: News & Notes Tagged With: PEN America, Thi Bui


Vol. 43, No. 4

Subscribe

NER Digital

Tomas Venclova

Literature & Democracy

Tomas Venclova

“A principled stance against aggression should never turn into blind hatred. Such hatred does not help anyone to win . . .”

Sign up for our newsletter

Click here to join our list and receive occasional news and always-great writing.

categories

Navigation

  • Subscribe/Order
  • Support NER
  • About
  • Advertising
  • Audio
  • Back Issues
  • Emerging Writers Award
  • Events
  • Podcast

ner via email

Stories, poems, essays, and web features delivered to your Inbox.

Categories

Copyright © 2023 · facebook · twitter

 

Loading Comments...