New England Review

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New Books from NER Authors & Staff

March 2022 (Part 1)

March 21, 2022

This roundup includes several poetry collections, a short story debut, and a biography of a groundbreaking neuroscientist. Give these titles a look and stay tuned for part 2!

Daisy Fried’s follow-up to Poems and Advice is The Year the City Emptied (Flood Editions), a collection that translates and reimagines French author Charles Baudelaire’s poems. Although Fried interprets Baudelaire “without the grave difficulty of confronting a completely blank page,” her poems are raw and visceral in their treatment of contemporary issues, including the ongoing pandemic, lockdowns, political protest, and the death of a loved one. Fried’s poem “Forcefeeding” appeared in NER 36.1.

In her debut short story collection Seeking Fortune Elsewhere (Catapult), O. Henry Prize winner Sindya Bhanoo tells the story of three South Indian immigrants. Each of these women embark on parallel journeys where “regret, hope and triumph remain in disguise.” Bhanoo’s stories are consistent in their haunting prose, as well as their meditative, empathic style. In “No. 16 Model House Road,” a woman deliberates on whether she will defy her husband; “A Life in America” focuses on a professor who is accused of exploiting his students; a school shooting destroys a mother’s world in “Nature Exchange.” “No. 16 Model House Road” appeared in NER 41.4.

Poet Tomás Q. Morín’s memoir, Let Me Count the Ways (University of Nebraska), explores and reconciles machismo, poverty, and obsessive compulsive disorder. Morín—who grew up in a small South Texas town in the eighties and nineties—recalls events from his tumultuous early life, including a memory of helping his father spot unmarked cop cars. Let me Count the Ways is a “vivid portrait of South Texas life” that “challenges our ideas about fatherhood, drug abuse, and mental illness.” Morín’s poems appear in multiple issues of NER, most recently in issue 35.3.

In The Brain in Search of Itself: Santiago Ramón y Cajal and the Story of the Neuron (Farrar, Straus and Giroux)—the first major biography of Spanish neuroscientist Santiago Ramón y Cajal—author Benjamin Ehrlich lauds the incredible achievements and research of his subject while telling a deeply human story set in early 20th century Spain. Beginning with Cajal’s complex relationship with his father—a temperamental physician—Ehrlich steadily makes the case for the importance of Cajal’s work to our modern understanding of neurons. Ehrlich is a senior reader for NER.

Wry, unorthodox, and delightful, Gallery of Postcards and Maps: New and Selected Poems (Salmon Poetry) by poet Susan Rich demonstrates a literary balancing act between the serious and the whimsical. Subjects in Rich’s fifth collection of poetry include vegetarian vampires, musings on middle age, and fun vignettes that explore the nature of travel. “Let love be imminent and let it be a train; / let it arrive at dawn, its whistle whiskering the air,” Rich writes in “A Middle Life: A Romance.” Rich’s poem “String Theory with Heartache” was published in NER 39.2.

Matthew Olzmann’s Constellation Route (Alice James) presents poems as letters—epistolary verses written by mailmen to recipients; conversations between couriers; points of understanding or chaos that flash out between nomadic souls. “In language at once direct and artful,” the author “memorably explores the question of how one might speak across the gulfs dividing humankind.” Olzmann’s work has appeared in multiple issues of NER, most recently in issue 42.2.


Visit our page on Bookshop.org for cumulative seasonal lists of NER author releases.

Filed Under: Featured, NER Authors' Books, News & Notes Tagged With: Benjamin Ehrlich, Daisy Fried, Matthew Olzmann, Sindya Bhanoo, Susan Rich, Tomás Q. Morín, Yanyi

Meet the Readers

Glenn Verdi

August 24, 2021


“When my MFA program ended in January 2020, I realized that I needed to focus on maintaining a connection to the world of writers and writing . . .”


Tell us a little bit about yourself. Where are you from and what do you do when you’re not reading for NER?
I grew up in the New York City suburbs and have lived in Northern California and in the DC area. I currently live in New Mexico. When I am not reading for NER, I write short stories, read books and magazines, and listen to all kinds of music. I am also relearning to play the piano after many years away from it. I am a fan of jazz pianist Bill Evans and I recently mastered a simple arrangement of “My Foolish Heart” with the help of a high school friend who is a professional piano player. He videotaped his hands on his keyboard as he played the song and then sent me the video so I could copy what his fingers were doing.

What made you decide to be a reader for NER?
I started as a reader for NER in April 2020. One of my favorite MFA program mentors suggested that I apply and I am very glad that I was accepted. When my MFA program ended in January 2020, I realized that I needed to focus on maintaining a connection to the world of writers and writing. Being a fiction reader for NER has been an important part of that effort.

Have you ever read a submission that later got selected for publication?
Sindya Bhanoo’s wonderful story “No. 16 Model House Road” (NER 41.4) was among the submissions assigned to me in September 2020. I had a strong feeling that this story might be one that would make it into an issue of NER. So I gave it a YES vote and the senior editors agreed. It was exciting to come upon such a great story during my first year as a reader, and this story remains my favorite of all the stories I have read for the magazine.

What is your reading process like? What do you look for in a submission?
My process involves reading through each of the stories assigned to me each month over the period of about a week or ten days. I take notes on a pad (a habit from 20 plus years as a lawyer) as I read each story and try to determine which of the stories are possible YES and MAYBE stories. Then I go back and read these stories again to figure out if any of the MAYBEs could be a YES story. After I have submitted my votes, I make sure to read the editors’ notes on the stories. I always learn something by doing this. Fiction editor Ernest McLeod and I e-mail each other often and he is always very helpful and friendly.

How has reading for NER influenced your own writing/creative pursuits?
I think it has taught me that rejections are just part of the writing/publishing process. Magazines and journals have a limited amount of space in each issue, so writers have to understand that for every acceptance we are lucky enough to get, we will also receive many rejections.

What do you read for pleasure? Is there something you’re reading now that you would recommend?
Lately I have learned a lot from reading Simon Baker’s book on Ancient Rome and Walter Isaacson’s biography of Leonardo da Vinci. I am now reading Amos Oz’s inspiring memoir A Tale of Love and Darkness. As for fiction, I always enjoy reading (and heartily recommend) any collection of Italo Calvino stories and any collection of Lauren Groff stories.


Our staff readers, all volunteers, play an essential role in our editorial process and in our mission to discover new voices in contemporary literature. A full list of staff readers is available on our masthead.

Filed Under: News & Notes, Staff Reader Profile Tagged With: Glenn Verdi, Sindya Bhanoo


Vol. 43, No. 2

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NER Digital

Rosalie Moffett

Writer’s Notebook—Hysterosalpingography

Rosalie Moffett

Many of the poems I’ve been writing lately are trying to figure out how to think about the future, how to reasonably hope, and what we must be resigned to. How can you imagine the future when the present is so slippery, so ready to dissolve?

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