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New Books from NER Authors: July 2017

July 17, 2017

Hinton is a rare example of a literary sinologist—that is, a classical scholar thoroughly conversant with, and connected to, contemporary poetry in English. —Eliot Weinberger, New York Review of Books

From the publisher: Henry David Thoreau, in The Maine Woods, describes a moment on Mount Katahdin when all explanations and assumptions fell away for him and he was confronted with the wonderful, inexplicable thusness of things. David Hinton takes that moment as the starting point for his account of a rewilding of consciousness in the West: a dawning awareness of our essential oneness with the world around us. Because there was no Western vocabulary for this perception, it fell to poets to make the first efforts at articulation, and those efforts were largely driven by Taoist and Ch’an (Zen) Buddhist ideas imported from ancient China. Hinton chronicles this rewilding through the lineage of avant-garde poetry in twentieth-century America—from Ezra Pound and Robinson Jeffers to Gary Snyder, W. S. Merwin, and beyond—including generous selections of poems that together form a compelling anthology of ecopoetry. In his much-admired translations, Hinton has recreated ancient Chinese rivers-and-mountains poetry as modern American poetry; here, he reenvisions modern American poetry as an extension of that ancient Chinese tradition: an ecopoetry that weaves consciousness into the Cosmos in radical and fundamental ways.

David Hinton is the author of Hunger Mountain, Existence, and many translations of classical Chinese poetry and philosophy. His work appeared in NER 13.2 and he is a former acting editor for NER. His books have earned wide acclaim and many awards, including a lifetime achievement award from the American Academy of Arts and Letters.

The Wilds of Poetry can be purchased directly from Shambhala Publications or from independent booksellers.

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With four well-reviewed novels already on the shelves, Charles Holdefer returns to bookstores once more with a collection of riotous short stories that speculate about the early life and times of a future Vice President.

From the publisher: This darkly humorous collection of short fiction by Charles Holdefer, author of The Contractor and Back in the Game, revolves gracefully around an esoteric and, it goes without saying, entirely fictional account of the imaginary formative years of someone who at times resembles America’s most notorious—so far!—Vice President. This center provides a jumping-off point for free-wheeling, fanciful explorations, both poetic and satirical, into the archaeology of the banality of evil, that reveal, with a light touch and forgiving good humor, the soul-distorting burdens of duty, repression and narcissism in our daily life.

Author of four novels, Charles Holdefer grew up in Iowa and is a graduate of the Iowa Writers’ Workshop and the Sorbonne. He currently teaches at the University of Poitiers, France. He most recently appeared in the pages of New England Review with his short story “Big and Nasty” (NER 37.1).

Dick Cheney in Shorts can be purchased online or from independent booksellers.

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Every poem is exquisitely crafted, with crisp, clean lines and imagery that dazzles. —The Washington Post

From the publisher: Laura Kasischke’s long-awaited selected poems presents the breadth of her probing vision that subverts the so-called “normal.” A lover of fairy tales, Kasischke showcases her command of the symbolic, with a keen attention to sound in her exploration of the everyday—whether reflections on loss or the complicated realities of childhood and family. As literary critic Stephen Burt wrote in Boston Review, “The future will not see us by one poet alone. . . . If there is any justice in that future, Kasischke is one of the poets it will choose.” This incandescent volume makes the case that Laura Kasischke is one of America’s great poets, and her presence is secure.

Laura Kasischke is a poet and novelist whose fiction has been made into several feature-length films. Her poetry has been featured in number of NER issues over the years. Her book of poems, Space, in Chains, won the National Book Critics Circle Award. She teaches at the University of Michigan and most recently appeared in the pages of New England Review with her poem “Executioner as Muse” (NER 35.3).

Where Now: New and Selected Poems can be purchased from Copper Canyon Press or from independent booksellers.

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Pulitzer Prize Winning poet Paul Muldoon, deemed by many to be the most influential poet writing in English today, brings the world a collection of 19 witty song lyrics in the vein of great bards such as Bob Dylan.

From the publisher: Paul Muldoon is widely considered the greatest living poet of his generation. A former professor of poetry at Oxford, and once poetry editor of the New Yorker, Muldoon’s influence on poetry is incalculable. At once playful, profoundly literate, pop savvy and allusive to the max, his poetry has tens of thousands of readers and fans worldwide. Sadie and the Sadists features punk-rock-style song lyrics—zany, witty, brilliant, sometimes startling—by the master poet, songs played by the spoken word music group, Rogue Oliphant.

Born in Northern Ireland, Paul Muldoon moved to the United States to begin his enduring career as poet, professor, and critic. Among numerous awards and titles which he holds, he is a Fellow of the Royal Society of Literature in the United Kingdom, the American Academy of Arts and Sciences, and the American Academy of Arts and Letters. Muldoon is a longtime contributor of poetry and criticism to New England Review,  having appeared most recently in NER 34.2 with a comment on Seamus Heaney’s “Du Bellay in Rome.”

Sadie and the Sadists can be purchased directly from Eyewear Publishing, or from independent booksellers.

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Nutting deftly exploits the comic potential of perverse attachments . . . The novel charms in its witty portrait of a woman desperate to reconnect with her humanity. —Publishers Weekly, Best Summer Books of 2017

From the publisher: In her second full-length novel, Alissa Nutting demonstrates just how far some will go for love—and how far some will go to escape it. At once an absurd, raunchy comedy and a profound meditation on marriage, monogamy, and family, Made for Love is both perceptive and compulsively readable.

Alissa Nutting is an assistant professor of English at Grinnell College. She is the author of the story collection Unclean Jobs for Women and Girls, as well as the novel Tampa. Nutting contributed most recently to New England Review with her piece “Practice Falling Asleep,” part of the NER Digital series Secret Americas.

Made for Love can be purchased directly from publisher Harper Collins or from independent booksellers.

Filed Under: NER Authors' Books Tagged With: Alissa Nutting, Charles Holdefer, David Hinton, Dick Cheney in Shorts, Laura Kasischke, Made for Love, Paul Muldoon, Sadie and the Sadists, The Wilds of Poetry, Where Now: New and Selected Poems

More New Books by NER Authors

December 18, 2015

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Paine’s stellar collection offers readers a transporting experience.—Publishers Weekly

NER is pleased to announce the release of Tom Paine‘s new book A Boy’s Book of Nervous Breakdowns (LSU Press). Tom Paine is a member of our editorial panel, and his work has appeared in NER 20.3.

The author of The Pearl of Kuwait and Scar Vegas, Paine is associate professor in the MFA program at the University of New Hampshire. He has published work in the New Yorker, Harper’s, and Story, among others, and has been featured in anthologies for the O. Henry Awards, the Pushcart Prize, and New Stories from the South: The Year.

A Boy’s Book of Nervous Breakdowns is available from LSU Press and other booksellers.

 

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The world in its raging, rich variety fills these poems, overflowing into vivid images that root Maia’s political and social attention firmly in the real scenes and objects all around us. —Cole Swenson

University of Pittsburgh Press has recently released The Invisible Bridge/El puente invisible: Selected Poems of Circe Maia, written by Maia and translated by Jesse Lee Kercheval, an NER author. His work was most recently featured in Vol. 16.2. 

Kercheval is a poet, fiction writer, memoirist, and translator. She is the author of fifteen books, most recently the bilingual poetry collection Enxtranjera/Stranger (Editorial Yaugarú, 2015) and the novel My Life as a Silent Movie (Indiana University Press, 2013). She was the director of the Wisconsin Institute for Creative Writing for six years, and is now the Director of the MFA Program of Creative Writing there. She has been the recipient of various fellowships, including one to the Bread Loaf Writers’ Conference.

The Invisible Bridge/El puente invisible is available from University of Pittsburgh Press and other booksellers.

 

41WLEkIU8YL._SX328_BO1,204,203,200_[The I Ching is] the only thing that is amazingly true, period . . . You don’t have to believe anything to read it, because besides being a great book to believe in, it’s also very fantastic poetry. ―Bob Dylan

We are pleased to announce that David Hinton‘s translation of I Ching has been released by Farrar, Straus and Giroux. His work has previously appeared in NER in 1984.

Hinton’s many translations of classical Chinese poetry have earned wide acclaim for creating compelling contemporary poems that convey the actual texture and density of the originals. He is also the first translator in more than a century of the four seminal masterworks of Chinese philosophy: Tao Te Ching, Chuang Tzu, Analects, and Mencius. He has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the National Endowment for the Humanities, and has won the Landon Translation Award, the PEN Translation Award, and, most recently, the Thornton Wilder Award for lifetime achievement from the American Academy of Arts and Letters.

Hinton’s I Ching is available directly from Macmillan and other booksellers.

 

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51JjcqtnioL._SX327_BO1,204,203,200_If the devil is in the details, then the devil has met his match. Castle Freeman Jr. conjures an intricate tete-a-tete with the devil into a Vermont home-brew of brimstone and beneficence. Fast-paced, compulsive, The Devil in the Valley leaves you wanting more. Temptation on the page. —Gregory Maguire, author of Wicked and After Alice

NER is excited to announce Overlook Press’s release of The Devil in the Valley, by Castle Freeman Jr. Freeman’s work has appeared frequently in NER, most recently in Vol. 35.4.

Freeman is the author of four other novels, including All That I Have and Go With Me (coming as a film starring Anthony Hopkins and Julia Stiles), two collections of short stories, and many essays and other nonfiction. His stories have been mentioned or included in The Best American Short Stories and other collections. He lives in southeastern Vermont.

The Devil in the Valley is available at the Vermont Book Shop and other booksellers.

 

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41kbYmCgjJL._SX331_BO1,204,203,200_Huddle is a source of light in an often gray world.―Booklist

[Huddle’s poetry is] luminous and majestic.― Philip Deaver, Southern Review

NER congratulates poet David Huddle for recent publication of his collection Dream Sender: Poems by LSU Press. His work has appeared in Vol. 13.2 in 1990 and he formerly served as acting editor for NER in 1995.

David Huddle is from Ivanhoe, Virginia, and he’s lived in Vermont for 44 years. His fiction, poetry, and essays have appeared in The American Scholar, Esquire, Appalachian Heritage, The New Yorker, Harper’s, Poetry, Story, Shenandoah, Agni, Green Mountains Review, The Sow’s Ear, Plume, and Georgia Review. He is the author of nineteen novels, short story collections, essays,  and volumes of poetry, including Glory River and Blacksnake at the Family Reunion.

Dream Sender is available from LSU Press and other booksellers.

Filed Under: NER Authors' Books Tagged With: Castle Freeman Jr., David Hinton, David Huddle, Jesse Lee Kercheval, Tom Paine

Cover art by Ralph Lazar

Volume 41, Number 4

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Writer’s Notebook

Writer’s Notebook—Field Dress Portal

Sarah Audsley

Writer’s Notebook—Field Dress Portal

Writing this poem was not a commentary on a rivalry between the sister arts—poetry and painting—but more an experiment in the ekphrastic poetic mode.

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