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Vol. 19, No. 2 (1998)

[buy this issue]

Poetry
WILLIAM LOGAN  My Father as Madame Butterfly / Horseneck Beach Odalisque
LEE GERLACH  Genesis
NICHOLAS SAMARAS  Execution of a Will
TED GRAF  Upon the Green
KRISTIN FOGDALL  Envoi
NINA CASSIAN  Singing and Barking / Oppressive Inventory / “Truly your forgiveness I implore”
GEORGE LOONEY  The Blurred Hand Holds More / The Blood in the Wheat
LISA YANOVER  Of Dust and the Night
MARK RUDMAN  Revolt
CHARD DENIORD  Pasternak
JAMES MCCORKLE  Hornets
JOHN CANADAY  Edith Warner
CATE MARVIN  Cigarillo
DAVID CAPLAN  Forty Steps in August / Unnumbered Psalm

Fiction
JUDITH GROSSMAN  Rovera
ROBERT COHEN  The Next Big Thing
CHAIM POTOK  Max
BROCK CLARKE  Compensation
LEE DURKEE  Sacrilege

Interviews
WILLIAM R. NASH  A Conversation with Charles Johnson

Performance Pieces
DAVID AUBURN  Three Monologues

Provocations
EDWARD CHAMPLIN  Nero Reconsidered

Recollections
CUSHING STROUT  Sixties Protest Culture and What Happened at Cornell

Literary Criticism
ELLEN HINSEY  The Rise of Modern Doggerel

Rediscoveries
ELIE FAURE  The Art of Charlie Chaplin

Reader’s Notebook
RACHEL HADAS  Tangled Web Sites

Book Reviews
SUSAN HUTTON  Representative Selves: Robin Becker’s All-American Girls

Contributors’ Notes

COVER ARTIST: Tod Gunter

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Vol. 43, No. 2

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Rosalie Moffett

Writer’s Notebook—Hysterosalpingography

Rosalie Moffett

Many of the poems I’ve been writing lately are trying to figure out how to think about the future, how to reasonably hope, and what we must be resigned to. How can you imagine the future when the present is so slippery, so ready to dissolve?

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