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Vol. 25, No. 3 (2004)

[buy this issue]

Poetry
BRENDA SIECZKOWSKI  Dropped Hints
ARTHUR RIMBAUD  Le Mal / Le Buffet / Oraison du soir / Voyelles (translated by John Kinsella)
KATRINA ROBERTS  Estuary
VICKI HEARNE  Road to Beauty / Young Dog, Grass, and More / As If Our Words Were Warriors
ELLEN BRYANT VOIGT  Redbud
VICTORIA CHANG  Yang Gui-Fei
CAROL FROST  Sea Hare
PAUL OTREMBA  Gray Windows
JOHN LUNDBERG  What Goes Unspoken
KIRK NESSET  Stare / Catastrophe Road
CAHTRYN ESSINGER  A Blessing for Unholy Things
STEPHEN DUNN  Inventing Wallace Stevens / Lucky

Fiction
JOHN HASKELL  American Purgatorio
CARLA PANCIERA  All of a Sudden
DAVID PHILIP MULLINS  Driving Lessons
BARBARA PIERCE  Which Tribe Do You Belong To?
CHARLES GREEN  Snowball
RUTH HAMEL  The Providence Trip

Cultural History
EDWARD ALEXANDER  Lionel Trilling and Irving Howe: A Literary Friendship
ROBERT S. SCHINE  “The Deleted Word”: Implications of an Altered
Text by Hermann Hesse

Recollections
JAY SCOTT MORGAN  Empty Chair

In Memoriam: Donald Justice
Poetry and Remembrance

Revaluations
ROB HARDY  Sinclair Lewis’s Work of Art

Provocations
MYLES WEBER  Cowboys and Idiots

Rediscoveries
GEORGE ELIOT  Leaves from a Note-Book

Contributors’ Notes

COVER ARTIST: Tod Gunter

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Volume 40, Number 3
Cover art by Anna Dibble

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CONFLUENCES

Beach Reading

Leath Tonino

Beach Reading

Mind, text, wilderness—I’ve long been fascinated by their interactions. Specifically, I’ve been fascinated by what happens when we lug books into nature, when we situate our reading within a context of more-than-human energies, when we rest the butt on a barnacled rock or driftwood bench and fill the brain to brimming: sentences, crying birds, definitions, slanting light.

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