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When I began to dig

Martha Silano

From NER 38.1

this is what I found: from the Latin, vertere,
to turn, from the Lithuanian, versti, to overturn,

from the Sanskrit, vartate, he turns. Vers, fers:
turning, turning and bending, having planted

a length of beans or corn, having reached a furrow’s
end. Like a plowman, versing, this breaking up

of sod, this fashioning into tidy rows, helping the singers
recall their lines. When the need to memorize

disappeared, verse remained like the typewriter keys
spelling QWERTY, slowing the typist down. . . .

[read more]

 

Martha Silano is the author of What the Truth Tastes Like (Two Sylvias Press, 2015), Reckless Lovely (Saturnalia Books, 2014), The Little Office of the Immaculate Conception (Saturnalia Books, 2011), Blue Positive (Steel Toe Books, 2006), and, with Kelli Russell Agodon, The Daily Poet: Day-by-Day Prompts for Your Writing Practice (Two Sylvias Press, 2013). Her poems have appeared in Poetry, Paris Review, American Poetry Review, AGNI, and Best American Poetry, among others. She edits the Seattle-based journal Crab Creek Review and teaches at Bellevue College.

 

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Filed Under: Poetry Tagged With: Martha Silano

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New England Review 38.1
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Vol. 43, No. 1

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Rosalie Moffett

Writer’s Notebook—Hysterosalpingography

Rosalie Moffett

Many of the poems I’ve been writing lately are trying to figure out how to think about the future, how to reasonably hope, and what we must be resigned to. How can you imagine the future when the present is so slippery, so ready to dissolve?

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