New England Review

  • Subscribe/Order
  • Back Issues
    • Vol. 43, No. 3 (2022)
    • Vol. 43, No. 2 (2022)
    • Vol. 43, No. 1 (2022)
    • Vol. 42, No. 4 (2021)
    • Vol. 42, No. 3 (2021)
    • Vol. 42, No. 2 (2021)
    • Vol. 42, No. 1 (2021)
    • Vol. 41 (2020)
      • Vol. 41, No. 4 (2020)
      • Vol. 41, No. 3 (2020)
      • Vol. 41, No. 2 (2020)
      • Black Lives Matter
      • Vol. 41, No.1 (2020)
    • Vol. 40 (2019)
      • Vol. 40, No. 4 (2019)
      • Vol. 40, No. 3 (2019)
      • Vol. 40, No. 2 (2019)
      • Vol. 40, No 1 (2019)
    • Vol. 39 (2018)
      • Vol. 39, No. 4 (2018)
      • Vol. 39, No. 3 (2018)
      • Vol. 39, No. 2 (2018)
      • Vol. 39, No. 1 (2018)
    • Vol. 38 (2017)
      • Vol. 38, No. 4 (2017)
      • Vol. 38, No. 3 (2017)
      • Vol.38, No. 2 (2017)
      • Vol. 38, No. 1 (2017)
    • Vol. 37 (2016)
      • Vol. 37, No. 4 (2016)
      • Vol. 37, No. 3 (2016)
      • Vol. 37, No. 2 (2016)
      • Vol. 37, No. 1 (2016)
    • Vol. 36 (2015)
      • Vol. 36, No. 4 (2015)
      • Vol. 36, No. 3 (2015)
      • Vol. 36, No. 2 (2015)
      • Vol. 36, No. 1 (2015)
    • Vol. 35 (2014-2015)
      • Vol. 35, No.1 (2014)
      • Vol. 35, No. 2 (2014)
      • Vol. 35, No. 3 (2014)
      • Vol. 35, No. 4 (2015)
    • Vol. 34 (2013-2014)
      • Vol. 34, No. 1 (2013)
      • Vol. 34, No. 2 (2013)
      • Vol. 34, Nos. 3-4 (2014)
    • Vol. 33 (2012-2013)
      • Vol. 33, No. 1 (2012)
      • Vol. 33, No. 2 (2012)
      • Vol. 33, No. 3 (2012)
      • Vol. 33, No. 4 (2013)
    • Vol. 32 (2011-2012)
      • Vol. 32, No. 1 (2011)
      • Vol. 32, No. 2 (2011)
      • Vol. 32, No. 3 (2011)
      • Vol. 32, No. 4 (2012)
    • Vol. 31 (2010)
      • Vol. 31, No. 1 (2010)
      • Vol. 31, No. 2 (2010)
      • Vol. 31, No. 3 (2010)
      • Vol. 31, No. 4 (2010-2011)
    • Vol. 30 (2009)
      • Vol. 30, No. 1 (2009)
      • Vol. 30, No. 2 (2009)
      • Vol. 30, No. 3 (2009)
      • Vol. 30, No. 4 (2009-2010)
    • Vol. 29 (2008)
      • Vol. 29, No. 1 (2008)
      • Vol. 29, No. 2 (2008)
      • Vol. 29, No. 3 (2008)
      • Vol. 29, No. 4 (2008)
    • Vol. 28 (2007)
      • Vol. 28, No. 1 (2007)
      • Vol. 28, No. 2 (2007)
      • Vol. 28, No. 3 (2007)
      • Vol. 28, No. 4 (2007)
    • Vol. 27 (2006)
      • Vol. 27, No. 1 (2006)
      • Vol. 27, No. 2 (2006)
      • Vol. 27, No. 3 (2006)
      • Vol. 27, No. 4 (2006)
    • Vol. 26 (2005)
      • Vol. 26, No. 1 (2005)
      • Vol. 26, No. 2 (2005)
      • Vol. 26, No. 3 (2005)
      • Vol. 26, No. 4 (2005)
    • Vol. 25 (2004)
      • Vol. 25, Nos. 1-2 (2004)
      • Vol. 25, No. 3 (2004)
      • Vol. 25, No. 4 (2004)
    • Vol. 24 (2003)
      • Vol. 24, No. 1 (2003)
      • Vol. 24, No. 2 (2003)
      • Vol. 24, No. 3 (2003)
      • Vol. 24, No. 4 (2004)
  • About
    • Masthead
    • NER Award Winners
    • Press
    • Award for Emerging Writers
    • Readers and Interns
    • Books by our authors
    • Contact
  • Audio
  • Events
  • Submit

A system of novelties

Polaroid OneStep

At Smithsonian magazine, Owen Edwards remembers the Polaroid camera:

Sitting at lunch, [Richard] Avedon would snap a picture, and with a fun-house whir a blank square would emerge from the front of the camera and develop before our eyes. Had Prospero himself appeared wielding a magic wand, he couldn’t have caused more amazement. According to Sean Callahan, a founding editor of American Photographer magazine, the SX-70 constituted “the most sophisticated and innovative consumer product of its time.” The genesis of the little wonder machine, the story goes, was that Land’s young daughter asked why she couldn’t see the vacation photos her father was taking “right now.” Polaroid was already a successful optical company; in 1947 Land and his engineers began producing cameras using peel-and-develop film, first black-and-white, then color.

[read more]

Share this:

  • Twitter
  • Facebook

Filed Under: NER Recommends Tagged With: Owen Edwards, Polaroid, Smithsonian Magazine

Previous post
Tertium Quid
Next post
Trust and commitment
Read moreNER Recommends


Vol. 43, No. 4

Subscribe

NER Digital

Serhiy Zhadan

Literature & Democracy

Serhiy Zhadan

“That’s the appeal of writing: you treat the world like a potential text, using it as material, setting yourself apart, stepping out.”

Sign up for our newsletter

Click here to join our list and receive occasional news and always-great writing.

categories

Navigation

  • Subscribe/Order
  • Support NER
  • About
  • Advertising
  • Audio
  • Back Issues
  • Emerging Writers Award
  • Events
  • Podcast

ner via email

Stories, poems, essays, and web features delivered to your Inbox.

Categories

Copyright © 2023 · facebook · twitter