New England Review

  • Subscribe/Order
  • Back Issues
    • Vol. 42, No. 4 (2021)
    • Vol. 42, No. 3 (2021)
    • Vol. 42, No. 2 (2021)
    • Vol. 42, No. 1 (2021)
    • Vol. 41 (2020)
      • Vol. 41, No. 4 (2020)
      • Vol. 41, No. 3 (2020)
      • Vol. 41, No. 2 (2020)
      • Black Lives Matter
      • Vol. 41, No.1 (2020)
    • Vol. 40 (2019)
      • Vol. 40, No. 4 (2019)
      • Vol. 40, No. 3 (2019)
      • Vol. 40, No. 2 (2019)
      • Vol. 40, No 1 (2019)
    • Vol. 39 (2018)
      • Vol. 39, No. 4 (2018)
      • Vol. 39, No. 3 (2018)
      • Vol. 39, No. 2 (2018)
      • Vol. 39, No. 1 (2018)
    • Vol. 38 (2017)
      • Vol. 38, No. 4 (2017)
      • Vol. 38, No. 3 (2017)
      • Vol.38, No. 2 (2017)
      • Vol. 38, No. 1 (2017)
    • Vol. 37 (2016)
      • Vol. 37, No. 4 (2016)
      • Vol. 37, No. 3 (2016)
      • Vol. 37, No. 2 (2016)
      • Vol. 37, No. 1 (2016)
    • Vol. 36 (2015)
      • Vol. 36, No. 4 (2015)
      • Vol. 36, No. 3 (2015)
      • Vol. 36, No. 2 (2015)
      • Vol. 36, No. 1 (2015)
    • Vol. 35 (2014-2015)
      • Vol. 35, No.1 (2014)
      • Vol. 35, No. 2 (2014)
      • Vol. 35, No. 3 (2014)
      • Vol. 35, No. 4 (2015)
    • Vol. 34 (2013-2014)
      • Vol. 34, No. 1 (2013)
      • Vol. 34, No. 2 (2013)
      • Vol. 34, Nos. 3-4 (2014)
    • Vol. 33 (2012-2013)
      • Vol. 33, No. 1 (2012)
      • Vol. 33, No. 2 (2012)
      • Vol. 33, No. 3 (2012)
      • Vol. 33, No. 4 (2013)
    • Vol. 32 (2011-2012)
      • Vol. 32, No. 1 (2011)
      • Vol. 32, No. 2 (2011)
      • Vol. 32, No. 3 (2011)
      • Vol. 32, No. 4 (2012)
    • Vol. 31 (2010)
      • Vol. 31, No. 1 (2010)
      • Vol. 31, No. 2 (2010)
      • Vol. 31, No. 3 (2010)
      • Vol. 31, No. 4 (2010-2011)
    • Vol. 30 (2009)
      • Vol. 30, No. 1 (2009)
      • Vol. 30, No. 2 (2009)
      • Vol. 30, No. 3 (2009)
      • Vol. 30, No. 4 (2009-2010)
    • Vol. 29 (2008)
      • Vol. 29, No. 1 (2008)
      • Vol. 29, No. 2 (2008)
      • Vol. 29, No. 3 (2008)
      • Vol. 29, No. 4 (2008)
    • Vol. 28 (2007)
      • Vol. 28, No. 1 (2007)
      • Vol. 28, No. 2 (2007)
      • Vol. 28, No. 3 (2007)
      • Vol. 28, No. 4 (2007)
    • Vol. 27 (2006)
      • Vol. 27, No. 1 (2006)
      • Vol. 27, No. 2 (2006)
      • Vol. 27, No. 3 (2006)
      • Vol. 27, No. 4 (2006)
    • Vol. 26 (2005)
      • Vol. 26, No. 1 (2005)
      • Vol. 26, No. 2 (2005)
      • Vol. 26, No. 3 (2005)
      • Vol. 26, No. 4 (2005)
    • Vol. 25 (2004)
      • Vol. 25, Nos. 1-2 (2004)
      • Vol. 25, No. 3 (2004)
      • Vol. 25, No. 4 (2004)
    • Vol. 24 (2003)
      • Vol. 24, No. 1 (2003)
      • Vol. 24, No. 2 (2003)
      • Vol. 24, No. 3 (2003)
      • Vol. 24, No. 4 (2004)
  • About
    • Masthead
    • NER Award Winners
    • Press
    • Award for Emerging Writers
    • Readers and Interns
    • Books by our authors
    • Contact
  • Audio
  • Events
  • Submit

Anatomy of a Rembrandt

The Anatomy Lesson

A new way of curating Old Masters at The Cleveland Museum of Art includes the opportunity to vote online concerning the authenticity and attribution of several controversial paintings acquired by American art collections that may or may not be by Rembrandt:

Rembrandt in America offers the public a rare opportunity to examine the evolving opinions and methods of scholars and collectors regarding what constituted an autograph Rembrandt painting over a period of more than a century. By arranging works in small groupings, visitors can develop their own skills in connoisseurship and opinions on authenticity. The exhibition occurs at a time when scrutiny of “Rembrandt” versus “not Rembrandt” continues to trouble the discipline and affect the art market significantly.

[read more at the exhibitions page of cma]

Share this:

  • Twitter
  • Facebook

Filed Under: NER Recommends Tagged With: Rembrandt in America

Previous post
I paint with my hands
Next post
Chance me
Read moreNER Recommends


Vol. 43, No. 1

Subscribe

NER Digital

Rosalie Moffett

Writer’s Notebook—Hysterosalpingography

Rosalie Moffett

Many of the poems I’ve been writing lately are trying to figure out how to think about the future, how to reasonably hope, and what we must be resigned to. How can you imagine the future when the present is so slippery, so ready to dissolve?

Sign up for our newsletter

Click here to join our list and receive occasional news and always-great writing.

categories

Navigation

  • Subscribe/Order
  • Back Issues
  • About
  • Events
  • Audio
  • NER Out Loud
  • Emerging Writers Award
  • Support NER
  • Advertising
  • The Podcast

Categories

Copyright © 2022 · facebook · twitter