From Tarfia Faizullah’s poem, “The streetlamp above me darkens,” in the current issue:
The Sun, Street Light and Parallax (Wikimedia)
for this, I am grateful. This elegy
doesn’t want a handful of puffed rice
tossed with mustard oil and chopped chilies,
but wants to understand why a firefly
flickers off then on, wants another throatful
or three of whiskey. This elegy is trying
hard to understand how we all become
corpses, but I’m trying to understand
permanence, because this elegy wants
to be a streetlamp dying as suddenly as a child
who, in death, remains a child….
Categories: News & Notes
The new issue of New England Review has just shipped from the printer, and a preview is available here on our website. In this issue, Joseph McElroy turns his mind to the ways of wetlands and the costs of human intervention; Kathleen Chaplin listens for the death knock through generations of her Irish family; Ashley Hope Pérez assesses Anne Sexton’s difficult ambitions as a poet and teacher; Joanne Jacobson follows her mother into a garden that grows smaller with time; and in a selection of letters spanning his productive career, Italo Calvino reveals his life as a writer conditioned by history.
Also in these pages you’ll find new poems by Aaron Baker, Reginald Dwayne Betts, Joanne Dominique Dwyer, Tarfia Faizullah, Debora Greger, Benjamin S. Grossberg, Joshua R. Helms, James Hoch, Maria Hummel, Eric Pankey, Melissa Range, and Andres Rojas; new fiction from Michael Coffey, Kathryn Davis, Steve De Jarnatt, Lisa Van Orman Hadley, and Christine Sneed; and a translation of Yves Bonnefoy by Hoyt Rogers. On the cover is Schroon River #2 by Irma Cerese. We dedicate this issue to NER contributor A. J. Sherman (1934–2013): distinguished author, generous friend, unfailing observer.
Get a copy of the beautiful new issue here — or better yet, subscribe!