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New Books by NER Authors (July)

July 5, 2018

Over and over, the poems in Justin Bigos’s Mad River call on the Divine. But paying attention is also a kind of prayer, and Bigos’s poetry does just that by invoking the details of the world it asks us to inhabit. Whether in Texas, Pittsburgh, or Chicago, these poems shimmer.—C. Dale Young, author of The Halo 

“These are astonishing and unforgettable poems, poems of loneliness and mercy, of violence and grace. Justin Bigos has written here one of the best books of poetry I’ve read in a very long time—monumental, memorial, and alive!” —Matt Hart, author of Radiant Action and Radiant Heart.

Justin Bigos is the author of a previous collection of poems, the chapbook Twenty Thousand Pigeons (iO, 2014). His writing has appeared in publications including Ploughshares, Indiana Review, Forklift Ohio, McSweeney’s Quarterly, and The Best American Short Stories 2015. He cofounded and coedits the literary journal Waxwing and makes his home in Flagstaff, Arizona, where he teaches at Northern Arizona University. His poems “Three Rivers” and “Prayer After Refusing to Pray” appeared in NER 33.4. 

Mad River can be purchased at your local independent bookseller or online.


Rachel Hadas’s new translation of the Iphigenia plays carves out its own space among recent translations of Euripides. None of them are quite so vivid, so contemporary, or (above all) so full of poetic interest. For those serious readers of poetry, Hadas’s translation will also stand out as constantly intriguing, inventive, and various.—John Talbot, author of Rough Translation: Poems

From the publisher: Poet and translator Rachel Hadas highlights the lyricism, emotion, and sheer humanity of Euripides’s plays. Mordant humor is here; so are heartbreak and tenderness. Hadas offers an Iphigenia story that resonates with our own troubled times and demonstrates anew the genius of one of the world’s supreme dramatists.

Rachel Hadas is a professor of English at Rutgers University–Newark, and is the author of many books of poetry, essays, and translations, including Questions in the Vestibule (Northwestern, 2016) and Strange Relation: A Memoir of Marriage, Dementia, and Poetry. She is the editor (with Peter Constantine, Edmund Keeley, and Karen Van Dyck) of the anthology The Greek Poets: Homer to the Present. Her work, both poetry and nonfiction, has appeared in many issues of NER to list, most recently in 36.1.

The Iphigenia Plays can be purchased at your local bookstore or directly from the publisher.


Hayes addresses this marvelous series of 70 free-verse sonnets to his potential assassin: a nameless, faceless embodiment of America’s penchant for racially motivated violence. The poems are redolent of his signature rhythmic artistry and wordplay . . . Inventive as ever, Hayes confronts America’s myriad ills with unflinching candor, while leaving space for love, humor, and hope. —Publishers Weekly

From the publisher: In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country’s past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered—the wonders of this new collection are irreducible and stunning.

Terrance Hayes is the author of Lighthead, winner of the 2010 National Book Award; Wind in a Box; Hip Logic; and Muscular Music, winner of the Kate Tufts Discovery Award. In 2014 he was the recipient of a MacArthur Fellowshop. He teaches at the University of Pittsburgh. Several of his sonnets from this collection were published in NER 39.1.

American Sonnets for My Past and Future Assassin can be found at your local bookstore or online.


Hummel . . . presents a polished, droll, and provocative art-world thriller . . . With a cast of strong and complicated female characters, headed by a determined, reckless, funny, and imperiled amateur sleuth, Hummel crafts a shrewd and suspenseful inquiry into womanhood and the dark side of the art market, punctuated by striking variations on identity, portraiture, and “still lives.”—Booklist

“In this taut take on noir, misogyny, and the art of responsible storytelling, Hummel (Motherland, 2014, etc.) balances the glitz and glam of the Los Angeles art world with the town tourists don’t often see, from peeling, postwar bungalows to skid row tent cities and suffering junkies . . . This is a whip-smart mystery and a moving meditation on the consumption of female bodies all rolled into one.” —Kirkus Reviews

Maria Hummel is the author of the poetry collection House and Fire, winner of the 2013 APR/Honickman First Book Prize, and two novels: Motherland (Counterpoint, 2014) and Wilderness Run (St. Martin’s, 2003). Her poetry, fiction, and nonfiction have appeared in Poetry, Narrative, the Sun, the New York Times, and the centenary anthology The Open Door: 100 Poems, 100 Years of Poetry Magazine. A Stegner Fellow, she taught at Stanford for nine years. She lives in Vermont with her husband and two sons, and teaches at the University of Vermont. Her short story “No Others Before Me” appeared in NER 31.2.

Still Lives can be purchased at your local bookstore or online.


Lisa Lewis writes of complex women as friends, mothers, sisters, “cat ladies,” dog walkers, and lovers. She writes with an astute awareness of class dynamics, the earth’s peril as a result of our violence, and our violent America—past and present. —Denise Duhamel

From the publisher: In Taxonomy of the Missing, Lisa Lewis’s sixth collection of poetry, the past is present, finely-detailed and filtered, but never diminished by, the kind of tender regret that accrues only after decades of lived experience.

Lisa Lewis‘s previous books include The Unbeliever (Brittingham Prize), Silent Treatment (National Poetry Series), Vivisect, Burned House with Swimming Pool (American Poetry Journal Prize), and The Body Double. A chapbook titled Story Box was also published as winner of the Poetry West Chapbook Contest. Lewis’s poem “Dry Hollows” appeared in NER 36.4.

Taxonomy of the Missing can be purchased directly from the publisher.



The Bible of Dirty Jokes is a bawdy and absorbing read—a madcap mystery about family secrets, small time stand-up comedy and big-time crimes. Visit the back alleys of the Borscht Belt and the underworld beyond with Eileen Pollack, one of our finest, and funniest, writers.—
Claire Vaye Watkins

From the publisher: In The Bible of Dirty Jokes, Eileen Pollack (Breaking and Entering, A Perfect Life) brings to life the hilarious and moving history of Borscht Belt comedy, Catskills resorts, and the notorious Jewish mob, Murder Inc. In a novel that reads like a cross between The Sopranos and a Sarah Silverman special, Pollack bestows on American literature a protagonist for the ages, the wisecracking, starry-eyed, endlessly generous and forgiving Ketzel Weinrach.

Eileen Pollack is the award-winning author of nine books of fiction and nonfiction. In addition to The Bible of Dirty Jokes (Four Way Books 2018), Breaking and Entering (2012), she has published In The Mouth (2008), and is the recipient of various fellowships. Her stories and essays have appeared in the Best American series and elsewhere; she has been published by NER multiple times, most recently in 32.4. Pollack lives in Manhattan and Ann Arbor, where she teaches on the faculty of the Helen Zell MFA Program in Creative Writing at the University of Michigan.

The Bible of Dirty Jokes can be found at your local bookstore or online.


All the distinguishing characteristics we’ve come to associate with Elizabeth Spires’ poems—their shimmering clarity, verbal restraint, and self-interrogations—are enacted in this new work of meticulous surfaces and surprising depths… — Michael Waters, author of Celestial Joyride

From the publisher: In A Memory of the Future, Elizabeth Spires details the search for a core identity, meditating on the necessary divide between the social persona who navigates the world and the artist’s secret self. As the poems move from Zen reflections outward into the identifiable worlds of Manhattan and Maryland’s Eastern shore, houses, both real and imagined, become metaphorical extensions of the self and psyche.

Elizabeth Spires is the author of seven poetry collections, including Worldling and The Wave-Maker. Her poetry has appeared in the Atlantic and the New Yorker, among others. A professor at Goucher College, she lives in Baltimore, Maryland. Her poetry was featured in NER 35.1. 

A Memory of the Future can be purchased directly from the publisher.

 



C. Dale Young’s stories masterfully illuminate the moments in which regret and longing and grace powerfully collide—and transform the topography of a life. The Affliction is an exhilarating collection: I emerged deeply grateful for the existence of this book.—Laura van den Berg

From the publisher: Young writes of people who know what it is to be disappeared—desaparecidos—and of those who know what it is to have to hide. He renders the grueling, distorting effect of such disappearances on individuals and on those who know them in love or fear or wonder. The Affliction provides powerful testament to the notion of stories as resistance to loss. This is a book of necessary, clear-hearted affirmation in troubled times.

C. Dale Young practices medicine full-time and teaches in the Warren Wilson College MFA Program for Writers. He is the author of four poetry collections, most recently The Halo (Four Way Books, 2016); The Affliction: A Novel in Stories (Four Way Books, 2018) is his first fiction collection. He has received fellowships from the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, and the Rockefeller Foundation. His fiction and poetry have appeared in many publications, including the Atlantic Monthly, Guernica, the Hopkins Review, Normal School, the Paris Review, and Ploughshares, as well as anthologies and several editions of The Best American Poetry.

The Affliction: A Novel in Stories can be purchased at your local independent bookseller or online.

Filed Under: NER Authors' Books, News & Notes Tagged With: C. Dale Young, Eileen Pollack, Elizabeth Spires, Justin Bigos, Lisa Lewis, Maria Hummel, Rachel Hadas, Terrance Hayes

NER Classics | On Poetry Anthologies | Rachel Hadas

May 29, 2015

41THNY4FF3LRachel Hadas’ piece, “On Poetry Anthologies,” appeared in NER 19.4 (1998):

. . . It’s true that the best poetry anthologies give the impression of being not siftings from other anthologies but personal statements, even personal testaments. And the reader who browses through poetry anthologies also brings personal responses beyond simply liking one poem or disliking another. Increasingly, for example, what I notice in anthologies are mistakes. Richmond Lattimore seems to be undergoing a sea-change into Richard Lattimore; my own first name has been misspelled and my date of birth gotten wrong; and an anthology edited by the late M. L. Rosenthal confidently glossed a short lyric by James Merrill as being addressed to the poet’s wife. Even more than errors, anthologies are known for sins of omission—how could Poem X or Poet Y possibly have been left out? But though I sometimes lament the absence of one poem or the inclusion of another, such ins and outs concern me less than the wider matter of context . . . 

[read more]

 

Filed Under: NER Classics Tagged With: NER Classics, On Poetry Anthologies, Rachel Hadas

This ghostly realm

November 20, 2012

In NER 32.1 (2011), Rachel Hadas described the feelings of invisibility that haunted her after moving her husband into a dementia facility:

In her Notes to The Annotated Poems of Edward Thomas, editor Edna Longley comments that Thomas “often suffered from the paranoid belief that he was less visible or necessary to other people than they to him . . . he was perversely pleased when the changes effected in his appearance by the army confirmed this: ‘Nobody recognizes me now. Sturge Moore, E[dward] Marsh, & R. C. Trevelyan stood a yard off and I didn’t trouble to awake them to stupid recognition.’”

Was Thomas’s belief really all that paranoid? I suspect that Edward Thomas and I are not the only poets, or the only people, to have felt invisible. On the contrary, I’ve come to feel that it is probably a universal experience. I’ve also had occasion to remember that several of my poems that have nothing to do with George’s illness are about crossings or farewells, encounters in which one person fleetingly but significantly sees another one: “The Red Hat” (1994), for example, where our son walks to school alone up West End Avenue and George and I turn back home; or “The Golden Road” (2009), in which my now grown son and I, having walked in opposite directions on a country road, encounter one another before going our separate ways. Frost captures a related feeling at the end of his poem “Meeting and Passing”: “Afterward I went past what you had passed/ Before we met and you what I had passed.”

And there’s more to say about this ghostly realm…

[Read “Invisibility“]

Filed Under: NER Classics Tagged With: Invisibility, Rachel Hadas

New Books by NER Writers: The Golden Road by Rachel Hadas

November 19, 2012

From the jacket copy of Rachel Hadas’s new book of poems: “A central theme of The Golden Road is the prolonged dementia of the poet’s husband. But Rachel Hadas’s new collection sets the loneliness of progressive loss in the context of the continuities that sustain her: reading, writing, and memory; familiar places; and the rich texture of a life fully lived. These poems are meticulously observed, nimble in their deployment of a range of forms, and capacious in their range of reference. The Golden Road laments, but it also celebrates.”

Rachel Hadas is a professor of English at the Newark College of Arts and Sciences of Rutgers, the State University of New Jersey. She is also a poet, translator, and essayist. Her most recent books are The Ache of Appetite (2010), a collection of poems; and Strange Relation: A Memoir of Marriage, Dementia, and Poetry (2011). New England Review has published Rachel Hadas’s work eight times since 2003. Her most recent publication in NER, “Invisibility” was published in 2011 (32.1).

Filed Under: NER Authors' Books, NER Community Tagged With: Rachel Hadas, The Golden Road

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Volume 40, Number 3
Cover art by Anna Dibble

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Beach Reading

Leath Tonino

Beach Reading

Mind, text, wilderness—I’ve long been fascinated by their interactions. Specifically, I’ve been fascinated by what happens when we lug books into nature, when we situate our reading within a context of more-than-human energies, when we rest the butt on a barnacled rock or driftwood bench and fill the brain to brimming: sentences, crying birds, definitions, slanting light.

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