Tags » Norman Lock

 
 
 

New Books for May from NER Authors

Categories: NER Authors' Books, NER Community

413IG2ug3HL._SY344_BO1,204,203,200_Hypnotic as it is profound

We are pleased to announce that NER contributor Norman Lock‘s new novel, The Boy in His Winter, is out from Bellevue Literary Press. His most recent story for NER, “A Theory of the Self,” appears in 34.2.

Pulitzer-Prize winning author, Gilbert King: In this surreal and otherworldly river journey through time, Norman Lock transports Huck Finn down the Mississippi and deep into America’s history—and future. Elegant and imaginative, The Boy in His Winter is a tale that’s as hypnotic as it is profound.”

Norman Lock is a recipient of a fellowship from the New Jersey Council on the Arts, saw his play The House of Correction revived in Istanbul, and published a new collection of stories, Love Among the Particles, featuring three pieces of fiction originally published in New England Review.

 

9781556594663_p0_v1_s260x420Mythical sea beasts, loads of laundry, and high school athletics 

Congratulations to NER contributor Laura Kasischke on the publication of her newest collection of poems, The Infinitesimals (Copper Canyon Press). Laura Kasischke’s poetry first appeared in NER 16.1 in 1994, and most recently in NER 32.4.

Publisher’s Weekly describes Kasischke’s latest work: “Mythical sea beasts, loads of laundry, and high school athletics all populate Kasischke’s rich imagination.”

Laura Kasischke is currently the Allan Seager Collegiate Professor of English Language and Literature at the University of Michigan. She is a winner of the National Book Critics Circle Award for her book Space, in Chains (Copper Canyon) and has recently been honored by the Michigan Library Association with the 2013 Michigan Author Award.

 

9780544074811_p0_v2_s260x420A story of second chances

We are pleased to announce Houghton Mifflin Harcourt’s publication of Wonderland, the newest novel from NER contributor Stacey D’Erasmo. Her essay “Influence: A Practice in Three Wanders” appears in issue 31.4.

Publisher’s Weekly calls this “A story of second chances . . . meticulously crafted. . . .”

Stacey D’Erasmo is the recipient of a 2009 Guggenheim Foundation Fellowship in Fiction. Her essays, features, and reviews have appeared in the New York Times Magazine,  New York Times Book ReviewBoston ReviewBookforum, and Ploughshares, among other publications.

 

As much prayer as it is poetrySamaras

NER is pleased to congratulate Nicholas Samaras on the recent publication of his newest collection of poetry American Psalm, World Psalm (Ashland Poetry Press). His poetry has been published in NER several times since 1994, and his most recent contributions (“Approach” / “At Night”) appear in 28.3.

From The Daily Beat News Blog: “Samaras … has reinvented modern poetry with this groundbreaking book … The poet combines a sense of morality that is virtually unmatched with a concrete abstraction reminiscent of the likes of a Pablo Neruda.”

Nicholas Samaras’s first book, Hands of the Saddlemaker, was selected for the Yale Series of Younger Poets in 1992. His poems have appeared in the New Yorker, Poetry, New Republic, Kenyon Review, and elsewhere. In 1997, he was a recipient of the National Endowment of the Arts Poetry Fellowship.

Grim Tales

Categories: NER Classics

Norman Lock’s short story “Grim Tales” appeared in NER 23.4:

The trees now grew without observing any longer the limits assigned them by nature. They reached into the sky until they looked out over “the floor of heaven.” Recalling the old story, boys climbed them. Not only boys but men and even some old men who wished for gold. One by one they fell–the old men and the young, and the boys, too–not one of them having reached the top branches let alone the floor of heaven. Instead, they fell, all of them, earning for themselves neither wealth nor fame, only death at the foot of the unruly trees. And still the trees continued to grow without regard for the limitations of their kind until the roots tore from the ground and the earth was broken into pieces and destroyed.

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New Books from NER Writers: Love Among the Particles

Categories: NER Authors' Books, NER Community

lock2NER contributor Norman Lock has released his new collection of short-stories, Love Among the Particles. From the publisher:

“Love Among the Particles is virtuosic story telling, at once a poignant critique of our romance with technology and a love letter to language. In a whirlwind tour of space, time, and literary history, Norman Lock creates worlds that veer wildly from the natural to the supernatural via the pre-modern, mechanical, and digital ages. His characters may walk out of the pages of Robert Louis Stevenson, Mark Twain, Franz Kafka, or Gaston Leroux, but they are distinctly his own. Mr. Hyde finally reveals his secrets to an ambitious journalist, unleashing unforeseen horrors. An ancient Egyptian mummy is revived in 1935 New York to consult on his Hollywood biopic. A Brooklynite suddenly dematerializes and passes through the Internet, in search of true love . . . Love Among the Particles will thrill Norman Lock’s devoted fans and dazzle new readers with its dizzying displays of literary pyrotechnics. It is nothing less than a compendium of the marvelous.”

Norman Lock has published novels, short fiction, and poetry as well as stage, radio, and screen plays. His honors include The Paris Review Aga Kahn Prize for Fiction and the National Endowment for the Arts Fellowship in Poetry. Love Among the Particles includes three stories first published in New England Review: “Tango in Amsterdam” (24.4), “The Captain is Sleeping” (26.4), and “The Monster in Winter” (28.3). Lock’s new story, “A Theory of the Self,” will appear in NER 34.2 this summer.

Love Among the Particles is available at Powell’s and other booksellers.

New Books from NER Authors

Categories: NER Authors' Books, NER Community

Paula Bohince

The Children

“Another writer with Paula Bohince’s gift for the ravishing image—and such writers are very few—would have us on our guard. We are wary of beauty; we have seen too often what beauty leaves out. But Bohince, in her magical capture of the material world, scorns all euphemizing edits; ‘the condom listing against milk-/weed’ is registered as scrupulously in these pages as are the combs of the abandoned hive. Which makes these poems transformative in the true and difficult sense: they bestow on the world the blessing of having-been-seen. And beauty too: ‘Something to recall / as beautiful, in the future. As the sewer was / in summer. Little childhood river.’” (Linda Gregerson)

 

Gordon Bowker

James Joyce: A New Biography

“It is a great boon that British biographer Gordon Bowker, who has written lives of Malcolm Lowry, George Orwell and Lawrence Durrell, should have taken on this task, and better yet that he has produced such a fine portrait of the artist and the man who was James Joyce . . . Instead of being daunted by Joyce having in a sense got there before him, Bowker makes this a strength, as he skillfully presents incidents and experiences both as they happened in life and, suitably transformed to varying degrees, on the page . . . the reader has the best of both worlds, being informed—or in the case of those already familiar with the books, reminded—both of the glories of Joycean fiction and of their roots in his life. Never reductive, genuinely attuned to both Joyce’s fictive methodology and his human qualities, Bowker manages to be immensely sympathetic to his subject while managing to preserve necessary critical distance and acuity.” (Martin Rubin, San Francisco Chronicle)

 

Michael Collier

An Individual History

“Collier’s sixth collection engages with childhood, fatherhood, and family life, in the living present and memorial past, a history explored with brilliantly precise detail and originality of perspective.” (Publishers Weekly)

 

Eduardo C. Corral

Slow Lightning

“[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding… Like Hayden, Corral resists reductivism.  Gay, Chicano, ‘Illegal-American,’ that’s all just language, and part of Corral’s point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out.  In Corral’s refusal to think in reductive terms lies his great authority.  His refusal to entirely trust authority wins my trust as a reader.” (Carl Phillips, from the Foreword)

 

Norman Lock

Escher’s Journal

“Lock’s work seems to emanate…from an essential strangeness, an estrangement from easily agreed-upon psychologies, from popular culture, from anything resembling a zeitgeist. It is marked by an eerie tonality and an intense, unsettled intellectual curiosity—a Lock novel might take place during any time period, anywhere in the world.” (Dawn Raffel)

 

Padgett Powell

You & Me

“Wonderful…You & Me is by turns hilarious, depressing, gnomic, smutty, and just a far better Saturday night than anything to be had in Jacksonville and Baskersfield combined.” (BookForum)

“…swaggering genius and ribald wit.” (Vanity Fair)

 

Gregory Spatz

Inukshuk

“Inukshuk is a feat of empathy and honesty, a taut tale of fear and resentment and other threats from within, meticulously observed and fearlessly rendered in vivid, authoritative, gripping prose. It’s a virtuoso performance.” (Doug Dorst)

 

 

Craig Morgan Teicher

To Keep Love Blurry 

“A liberating push-back against the idea of economy. More play, more improvisation, and more defiantly deadpan humor – this is the vital shot-in-the-arm American poetry needs.” (D. A. Powell)

 

 

Matthew Thorburn

Every Possible Blue

“If Fred Astaire could write, it might sound like this: practiced, complex, graceful…These are a sequence of anecdotes daring to love again, dreaming in daylight.” (Grace Cavalieri)

What is the matter?

Categories: NER Classics

Norman Lock

From Norman Lock’s story “The Captain is Sleeping” (NER 26.4):

 The engineers have not been seen for days. I stand outside the engine room, their freshly laundered sheets folded in my arms, and listen to them weep. I wonder at their anguish, at its depths, and shudder at the sound they make on the other side of the iron door.

“What is the matter?” I say through the door. I dare not shout. If I raise my voice so as to be heard, I am sure I will faint. My nerves have been tightly strung, like piano wire, ever since the ship began to act queerly. “What is the matter, men?” I try again, my lips close to the door, whispering into my cupped hands, having made of them a megaphone.

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