From David Guterson’s story “Tenant,” in the current issue:
Lydia Williams—as the finder put it in his final report before siphoning off his outlandish fee—moved in “without a hitch.” Invisible, an abstraction, RENTER—all caps—but indeed her rent got paid, expediently and electronically, on the fifteenth of month two—and with no trouble, no communication. It was as if Lydia Williams remained in the finder’s hands—she existed contractually but not in person; he could not have said what she looked like or how she sounded; now and again he stopped to wonder who Lydia Williams was, but his questions about her had to do with her reliability as a rent payer and with whether she could change a light bulb in figurative terms, i.e., whether she could save him time and money, by virtue of solid do-it-yourself skills, on repairs and maintenance. He wondered but made no move to find out about her, fearing that by asserting himself he might pave the way for a burdensome relationship, invite nuisance, regret his forwardness, ultimately end up with more trouble, work, and concern than if he’d stayed in the background.
Finally, he sent her a benign and innocent-enough e-mail.
Categories: News & Notes
The new issue of New England Review is on its way from the printer, and a sample of the contents is available here on our website, both in WordPress and PDF formats. The full issue can be ordered online right here for only $10, including shipping.
In these pages, you’ll find new fiction by Norah Charles, David Guterson, Ihab Hassan, Stephen O’Connor, Leath Tonino, and Adrienne Sharp, appearing alongside new poems by Howard Altmann, Geri Doran, Robin Ekiss, Brendan Grady, Jennifer Grotz, Margaree Little, John Poch, Mark Rudman, and Jake Adam York.
In nonfiction, Sara Maitland uncovers the roots of our fairy tales in the forests of Europe; Anne Raeff reflects on the languages in which she writes her life; Craig Reinbold reports on his days in a classroom in a west side Chicago public school; and Myles Weber probes the life and reputation of Raymond Carver. Plus Isabel Fargo Cole‘s translation of fiction by midcentury German author Franz Fühmann and a brief philosophical investigation by George Santayana. This issue’s cover features artwork by the painter Caryn Friedlander. ORDER A COPY