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	<title>New England Review &#187; NER Recommends</title>
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		<title>From balloon races to hidden microphones</title>
		<link>http://www.nereview.com/2012/10/31/nara-wikimedia-commons/</link>
		<comments>http://www.nereview.com/2012/10/31/nara-wikimedia-commons/#comments</comments>
		<pubDate>Wed, 31 Oct 2012 13:01:36 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[NARA]]></category>
		<category><![CDATA[Wikimedia Commons]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=2928</guid>
		<description><![CDATA[&#160; NARA, the U.S. National Archives and Records Administration, has uploaded 100,000 images to the Wikimedia Commons area of Wikipedia. You can browse the images or even help categorize them. This digital outgrowth of the nation&#8217;s attic contains everything from &#8230; <a href="http://www.nereview.com/2012/10/31/nara-wikimedia-commons/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>We see the planet complete</title>
		<link>http://www.nereview.com/2012/10/24/we-see-the-planet-complete/</link>
		<comments>http://www.nereview.com/2012/10/24/we-see-the-planet-complete/#comments</comments>
		<pubDate>Wed, 24 Oct 2012 13:28:05 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Don DeLillo]]></category>
		<category><![CDATA[Human Moments in World War III]]></category>
		<category><![CDATA[The Angel Esmeralda]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=5678</guid>
		<description><![CDATA[Everything that&#8217;s powerful about Don DeLillo&#8217;s writing is contained in his short story &#8220;Human Moments in World War III,&#8221; about two astronauts orbiting earth during a futuristic conflict. DeLillo uses the science fiction genre to let blunt emotions mix with &#8230; <a href="http://www.nereview.com/2012/10/24/we-see-the-planet-complete/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Scifi&#8217;s Golden Age</title>
		<link>http://www.nereview.com/2012/10/17/scifi-golden-age/</link>
		<comments>http://www.nereview.com/2012/10/17/scifi-golden-age/#comments</comments>
		<pubDate>Wed, 17 Oct 2012 13:12:58 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[American Science Fiction: Nine Classic Novels of the 1950s]]></category>
		<category><![CDATA[Gary K. Wolfe]]></category>
		<category><![CDATA[The Library of America]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=5686</guid>
		<description><![CDATA[At The Library of America web site, Gary K. Wolfe discusses the Golden Age of scifi in tandem of the publication of the lavish boxed set American Science Fiction: Nine Classic Novels of the 1950s: By the 1950s, science fiction had been &#8230; <a href="http://www.nereview.com/2012/10/17/scifi-golden-age/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Time-collecting</title>
		<link>http://www.nereview.com/2012/10/10/time-collecting-helena-trestikova-private-universe/</link>
		<comments>http://www.nereview.com/2012/10/10/time-collecting-helena-trestikova-private-universe/#comments</comments>
		<pubDate>Wed, 10 Oct 2012 14:29:00 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Helena Třeštíková]]></category>
		<category><![CDATA[Private Universe]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=4448</guid>
		<description><![CDATA[Private Universe, Czech documentarian Helena Třeštíková’s latest film, records a single family over the course of 37 years, from the 1970s to the present day. It screened at the 10th anniversary of Silverdocs with little fanfare. No glossy postcards, no &#8230; <a href="http://www.nereview.com/2012/10/10/time-collecting-helena-trestikova-private-universe/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Keeping the Faith</title>
		<link>http://www.nereview.com/2012/09/26/keeping-the-faith/</link>
		<comments>http://www.nereview.com/2012/09/26/keeping-the-faith/#comments</comments>
		<pubDate>Wed, 26 Sep 2012 13:02:10 +0000</pubDate>
		<dc:creator>Alison Lewis</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Bread Loaf Writers' Conference]]></category>
		<category><![CDATA[Michael Bourne]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=5327</guid>
		<description><![CDATA[One writer reflects on his time at the Bread Loaf Writers&#8217; Conference, &#8220;a curious mix of summer camp, trade convention, and religious retreat, all set in an idyllic meadow surrounded by forested mountain ridges.&#8221; As one of 220 guests at &#8230; <a href="http://www.nereview.com/2012/09/26/keeping-the-faith/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Uta Briesewitz on The Wire</title>
		<link>http://www.nereview.com/2012/09/19/uta-briesewitz-on-the-wire/</link>
		<comments>http://www.nereview.com/2012/09/19/uta-briesewitz-on-the-wire/#comments</comments>
		<pubDate>Wed, 19 Sep 2012 14:16:14 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Kodak OnFilm Interviews]]></category>
		<category><![CDATA[The Wire]]></category>
		<category><![CDATA[Uta Briesewitz]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=4510</guid>
		<description><![CDATA[Kodak&#8217;s OnFilm series of interviews features cinematographer Uta Briesewitz on being hired to shoot The Wire: One of the things that I love about my profession is that it puts me in environments and situations that I would never experience &#8230; <a href="http://www.nereview.com/2012/09/19/uta-briesewitz-on-the-wire/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lost films</title>
		<link>http://www.nereview.com/2012/08/29/lost-films/</link>
		<comments>http://www.nereview.com/2012/08/29/lost-films/#comments</comments>
		<pubDate>Wed, 29 Aug 2012 13:27:43 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Deutsche Kinemathek – Museum für Film und Fernsehen]]></category>
		<category><![CDATA[Lost Films]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=4870</guid>
		<description><![CDATA[Real-life discoveries of lost films are rarely so suspenseful as the events depicted in Martin Scorsese&#8217;s Hugo, but exciting finds are being made. The story of how critical scenes from Fritz Lang&#8217;s masterpiece Metropolis were rediscovered by Fernando Peña in a Buenos &#8230; <a href="http://www.nereview.com/2012/08/29/lost-films/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Abandon Everything, Again</title>
		<link>http://www.nereview.com/2012/08/22/abandon-everything-again/</link>
		<comments>http://www.nereview.com/2012/08/22/abandon-everything-again/#comments</comments>
		<pubDate>Wed, 22 Aug 2012 14:03:52 +0000</pubDate>
		<dc:creator>Eugene Scherbakov</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[infrarealismo]]></category>
		<category><![CDATA[Roberto Bolaño]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=2987</guid>
		<description><![CDATA[The real-life inspiration for the &#8216;visceral realism&#8217; poetry movement of Roberto Bolaño&#8217;s The Savage Detectives was called &#8216;infrarealismo&#8217;. Check out the original infrarealist manifesto, written by Bolaño when he was twenty-three years old, here. While multiple English translations are floating around the web, &#8230; <a href="http://www.nereview.com/2012/08/22/abandon-everything-again/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Roots of Luxury</title>
		<link>http://www.nereview.com/2012/08/15/the-roots-of-luxury/</link>
		<comments>http://www.nereview.com/2012/08/15/the-roots-of-luxury/#comments</comments>
		<pubDate>Wed, 15 Aug 2012 14:03:24 +0000</pubDate>
		<dc:creator>Nora Fiore</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Michael Gallagher]]></category>
		<category><![CDATA[Plant Science]]></category>
		<category><![CDATA[The Pistachio: History and Luxury in Antiquity]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=4058</guid>
		<description><![CDATA[Did you know that the pistachio is one of only two nuts mentioned in the Bible? In case you were wondering, we are not metaphorically counting Nebuchadnezzar as one of these nuts, although he did grow them. At JSTOR’s unexpectedly &#8230; <a href="http://www.nereview.com/2012/08/15/the-roots-of-luxury/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Get the following before the book</title>
		<link>http://www.nereview.com/2012/08/01/her-kind-cris-mazza-living-in-parenthesis/</link>
		<comments>http://www.nereview.com/2012/08/01/her-kind-cris-mazza-living-in-parenthesis/#comments</comments>
		<pubDate>Wed, 01 Aug 2012 14:03:08 +0000</pubDate>
		<dc:creator>JMT</dc:creator>
				<category><![CDATA[NER Recommends]]></category>
		<category><![CDATA[Cris Mazza]]></category>
		<category><![CDATA[Her Kind]]></category>
		<category><![CDATA[Living in Parenthesis]]></category>

		<guid isPermaLink="false">http://sites.middlebury.edu/newenglandreview/?p=3981</guid>
		<description><![CDATA[A thought-provoking essay at Her Kind, &#8220;Living in Parenthesis,&#8221; by Cris Mazza, discusses the outsourcing of just about everything to the writer in a literary world that increasingly blurs the lines between selling your work and selling yourself. After meeting &#8230; <a href="http://www.nereview.com/2012/08/01/her-kind-cris-mazza-living-in-parenthesis/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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