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Vol. 16, No. 1 (1994)

[buy this issue]

Poetry
BARBARA MURPHY  Clarity / Bedtime Story / In Chekhov’s Three Sisters / PHIL 255: Logic
NANCE VAN WINCKEL  Nothing in the World / Help, Help!
CLAUDIA EMERSON ANDREWS  The Rapture / What Waits for You / Pinion
DAVID R. SLAVITT  Ceyx and Alcyone: From Book XI of Ovid’s Metamorphoses
CLAIRE BATEMAN  Friction / Sky
MICHAEL MILBURN  In the Frame / Words for a Child / Poem in the Place of Goodbye
GHITA ORTH  Breaking the Silence / Speaking as a Mother / Knowing / Healing / Understanding Bonsai
ELLEN CANTOR  A Family History / This Eye / Making Meat
ION MIRCEA  The Mold / S.F. / Forma Mentis (Translations from the Romanian by Adam J. Sorkin and Liliana Ursu)
LINDA KITTELL  Verson of #199: Dr. Syn / On Her Knees / Braids / Walking in Her Cape Coat / Barracoon
LAURA KASISCHKE  Housekeeping in a Dream / Pall
JOHN ENGELS  Death Trip / Hummingbird on a Telephone Wire
YUSEF KOMUNYAKAA  Semantics / Homunculus / Russian Phantasia / Homo Erectus / Dia De Los / Muertos / Speed Ball / Complicity / Queensland, Inc.
DEBORAH CUMMINS  In the State of Absence
RALPH SNEEDEN  Coltrane and My Father
ANDREW HUDGINS  The Social Order
GARY P. CLARK, JR.  Mouthwash / A Lakeside Toast
LOUIS SIMPSON  Fame

Fiction
MAX GARLAND  Chiromancy
LEE MARTIN  The Least You Need to Know
GREGORY SPATZ  Lisa Picking Cockles

Essays
TERRY TEMPEST WILLIAMS  Elements of Love
ROALD HOFFMANN and SHIRA LEIBOWITZ  Pure/Impure
JANE HIRSHFIELD  Entering the Bird Cage: Poetry and Perceptibility
ROBERT CANTWELL  The Invisible Science

Interview
MUNA ASALI  An Interview with Yusef Komunyakaa

Reviews
JOHN ENGLES  A Cruel Happiness
HEATHER STEPHENSON  Out of the Kitchen and Traveling On: New Fiction by Asian Women
ALLEN SHEPHERD  As Good As Money in the Bank: Cormac McCarthy’s All the Pretty Horses

Contributors’ Notes

COVER ART: Jeff Kaufman

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Volume 40, Number 3
Cover art by Anna Dibble

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CONFLUENCES

Beach Reading

Leath Tonino

Beach Reading

Mind, text, wilderness—I’ve long been fascinated by their interactions. Specifically, I’ve been fascinated by what happens when we lug books into nature, when we situate our reading within a context of more-than-human energies, when we rest the butt on a barnacled rock or driftwood bench and fill the brain to brimming: sentences, crying birds, definitions, slanting light.

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