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New Books by NER Authors: Book of Dog by Cleopatra Mathis

Categories: NER Authors' Books, NER Community

Mathis-Book of DogCleopatra Mathis’s latest book of poems has just been released by Sarabande books. From the publisher: “Influenced by survival lessons from the natural world, Cleopatra Mathis’ Book of Dog traces a harrowing personal journey from hard endings—a divorce, the death of a beloved dog—to the fierce arrival of acceptance and change.  All manner of life thrives in these pages—plovers, foxes, the companionable beetle on the bedpost, and the coyotes just beyond her back door.”

Her work has appeared in NER, most recently in 32.1, which includes two poems from this new collection.

Cleopatra Mathis will be reading in our AWP event in Boston this year, “New England Review Celebrates Vermont Writers,” with Kellam Ayres, Castle Freeman Jr., Sydney Lea, and Robert Cohen, on Friday, March 8, at 9 a.m.

Book of Dog is available from Sarabande Books and other booksellers.

New Books from NER Writers: The Selvage

Categories: NER Authors' Books, NER Community

From the jacket copy of Linda Gregerson’s new book, The Selvage: “In eloquent poems about Ariadne, Theseus, and Dido, the death of a father, and a bombing raid in Lebanon, and in a magnificent series detailing Masaccio’s Brancacci frescoes, The Selvage deftly traces the ‘line between’ the ‘wonder and woe’ of human experience. Keenly attuned to the precariousness of our existence in a fractured world–of ‘how little the world will spare us’–Gregerson explores the cruelty of human and political violence, such as the recent island massacre in Norway and ‘the current nightmare’ of war and terrorism. And yet, running as a ‘counterpoint’ to violence and cruelty is ‘The reigning brilliance / of the genome and / the risen moon…,’ ‘The / arachnids exoskeleton. The kestrels eye.’ The Selvage is the boldest evidence yet that Linda Gregerson’s unique combination of dramatic lyricism and fierce intelligence transcends current fashions to claim an enduring place in American poetry.”

Linda Gregerson is a National Book Award finalist and Kingsley Tufts Award winner, and her work has appeared in NER since 1982 (4.4), and most recently in 2011 (31.4). You can hear her read from this new book in our Bread Loaf Audio Series.

Mourning Jake Adam York

Categories: NER Community

york-head-300x199All of us here at the New England Review mourn the loss of Jake Adam York, who died suddenly on December 16, 2012, at the age of forty. He was an accomplished poet and generous friend to many.

His poem “Self-Portrait as Superman (Alternate Take)” appears in our current issue, and you can hear him read “What Is Given, What Is Made,” “Grace,” and other poems at the Southern Foodways Alliance. His poems are widely available online and in three collections, Persons Unknown, A Murmuration of Starlings, and Murder Ballads.

Year-end giving at New England Review

Categories: NER Community

As the year winds to a close, we hope you’ll consider making a charitable contribution to New England Review.

Your gift will directly support the creation of new literature, sustaining the writers, editors, and artists who make this journal “among the nation’s best,” according to the Boston Globe.

Recent NER contributors include U.S. and State Poet Laureates, Guggenheim and NEA Literature Fellows, and writers working towards their very first books. Work from New England Review appears every year in the Pushcart Prize anthologies, the Best American series, and the O Henry Prize anthology. Our print issues draw together established and new voices, and, between issues, the magazine’s web site presents new features and an original creative writing series.

We hope you will consider making a gift—of any size—that will help to support NER. We look forward to giving our readers another year of exceptional writing by authors whose work really matters.

You can give online, by phone at 888.367.6433, or by mail to 5 Court Street, Middlebury, VT 05753. All gifts are tax deductible.

Thank you!

Announcing the new print issue: NER Vol. 33, #3

Categories: News & Notes

The new issue of New England Review is on its way from the printer, and a sample of the contents is available here on our website, both in WordPress and PDF formats. The full issue can be ordered online right here for only $10, including shipping.

In these pages, you’ll find new fiction by Norah Charles, David Guterson, Ihab Hassan, Stephen O’Connor, Leath Tonino, and Adrienne Sharp, appearing alongside new poems by Howard Altmann, Geri Doran, Robin Ekiss, Brendan Grady, Jennifer Grotz, Margaree Little, John Poch, Mark Rudman, and Jake Adam York.

In nonfiction, Sara Maitland uncovers the roots of our fairy tales in the forests of Europe; Anne Raeff reflects on the languages in which she writes her life; Craig Reinbold reports on his days in a classroom in a west side Chicago public school; and Myles Weber probes the life and reputation of Raymond Carver. Plus Isabel Fargo Cole‘s translation of fiction by midcentury German author Franz Fühmann and a brief philosophical investigation by George Santayana. This issue’s cover features artwork by the painter Caryn Friedlander. ORDER A COPY

Joshua Harmon Selected for Best Music Writing 2012

Categories: NER Community

Joshua Harmon (right), ’87

Joshua Harmon’s “Speculative Markets and the 7-Inch Single” (32.3) has been selected for Best Music Writing 2012, guest edited by Questlove from the Roots. The series editor is Daphne Carr, and the book will be published by Feedback Press.

Read Harmon’s NER sketch “From Negative ∞ to O.”

Learn more about The Annotated Mix-Tape.

 

Michael Cohen Selected for Best American Essays 2012

Categories: NER Community

Michael Cohen’s “A Fountain Pen of Good Repute” (31.4) was selected as a notable essay in Best American Essays 2012, edited by New York Times columnist and best-selling author David Brooks, with series editor Robert Atwan.

Authors whose works are included in the collection include Marcia Angell, Miah Arnold, Mark Doty (32.1), Joseph Epstein, Malcolm Gladwell, Francine Prose, Lauren Slater, Sandra Tsing Loh, and others.

Read Cohen’s NER sketch The King in Winter.

NER Congratulates NEA Fellowship Winners

Categories: NER Community

Several poets who have published their work in NER in recent years have won Literature Fellowships in Poetry from the National Endowment of the Arts this year, each receiving an award of $25,000: Traci Brimhall (32.1), Eduardo C. Corral (30.4), Rachel Richardson (29.1), and Jake Adam York (forthcoming, 33.3). Kerrin McCadden, who read in our Vermont Reading Series this past April, also won a fellowship this year. Congratulations!

New Books by NER Writers: Ex-Boyfriend on Aisle 6

Categories: NER Authors' Books, NER Community

“Susan Jackson Rodgers is always right about how life feels. One after another of her extremely different characters—some familiar, some hilariously strange—seems to have been written from within.”
—Alice Mattison, author of When We Argued All Night

“Susan Jackson Rodgers examines the ordinary to extraordinary effect; brings us to the precipice of disaster again and again; then flips our expectations in ways authentic and entirely unpredictable, exposing our mortal wounds, big, small, terrifying, true…”
—Dinah Lenney, author of Bigger Than Life: A Murder, A Memoir

A story from this collection, “Outside,” appeared in NER 27.4.

Ex-Boyfriend on Aisle Six can be purchased from Press 53 or from Powell’s and other booksellers.

 

Kathryn Davis Reading at Middlebury

Categories: NER Community

Kathryn Davis, the author of such gems as The Girl Who Trod on a Loaf, Versailles, and, most recently, The Thin Place, will come to Middlebury College to read on November 14 (4:30 p.m.). We’re proud to say that some of Davis’s early stories appeared in New England Review: “Floggings” in 1989 (11.3) and “Eternity” in 1982 (5.1).

from “Floggings”:

“And just what do you think you’re doing?” the voice asked, making the young man, Lucien, drop the hem of the petticoat from his soft freckled fingers, whereupon it spread out against the wall in a white fan, like a wave spreading across the beach, the eyelet shirred and smelling of fish. The petticoat was tacked to the wall at its enormous waistband; beside it was displayed an equally enormous pair of bloomers, hand-sewn of flannel, the seams finished off in the French manner with stitches so tiny they appeared to be the work of mice. “Qu’est-ce que tu fais?” the voice asked, coyly this time. “Or are you a mute?” It was late afternoon and through the room’s single window the light issued in a single yellow block, as if the glass Lucien had polished just that morning wasn’t there, and the light was a corporeal substance of which there was too much. He looked around. The museum had been closed for an hour, but that didn’t always stop the tourists- people who, no doubt, in their normal lives respected the message of locked doors – from lifting the peevish faces of their offspring up against the windows, hinting by gesture at the need for a bathroom. But the room was empty. “Like tree trunks,” the voice said. “Or so the Captain claimed. He was my equal, and he adored my legs. Mes jambes. He had a tongue in him the size of a hand and, let me tell you, the manual dexterity to go with it.”

[the story is available via JSTOR (subscription required) or by purchasing Vol. 11, #3]